Ghost dancing on the cracker circuit : the culture of festivals in the American South
معرفی کتاب «Ghost dancing on the cracker circuit : the culture of festivals in the American South» نوشتهٔ Rodger Lyle Brown، منتشرشده توسط نشر University Press of Mississippi در سال 1997. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
Everybody knows about community festivals that celebrate the good ol' days--events like Rattlesnake Roundup, Peanut Days, and Mule Day. Countless towns around the South stage them. They set aside one weekend a year, rope off some parking, and celebrate some local theme on the courthouse lawn or in a nearby pasture, touting lost days of imagined glory. The phenomenon is rapidly proliferating across the region, but until now the deeper significance of these hometown events has not been explored. In Ghost Dancing on the Cracker Circuit Rodger Brown takes the reader on a road trip across the South. He visits many festivals and unweaves their webs to find the meaning that underlies them. Contrary to popular interpretation of them as times of celebration and fund-raising, Brown discerns them to be times of mourning. Behind the scrim of jolly slideshows he find communities responding to economic restructuring and cultural change. As he travels across the South, he absorbs vivid impressions of boosterism and cornball symbolism. Along this comical trail that he terms the "cracker circuit" he perceives how these seasonal events are staged by white sponsors attempting to resurrect a splendid past that actually never existed. He likens them to legendary Indians "ghost dancing" in ceremonial performances staged to conjure up a lost paradise. In chapters with such titles as "Stuffing Sin in a Lard Bucker" and "Aunt Bee's Death Certificate" Brown not only sketches intriguing portraits of people and places but also makes fascinating revelations--the political meaning of Green Acres and Gilligan's Island , the real story behind the Hatfield and McCoy Feud, and the surprising role of The Andy Griffith Show in contemporary southern mythography. Brown's adventurous, good-natured inspection of this pervasive cultural curiosity discloses the state of the South at the turn of the millennium. From The Back Cover: A Look Into Deep Communal Meanings That Emerge As Small Towns Stage Their Annual Festivals. Everybody Knows About Community Festivals That Celebrate The Good Ol' Days-events Like Rattlesnake Roundup, Peanut Days, And Mule Day. Countless Towns Around The South Stage Them. They Set Aside One Weekend A Year, Rope Off Some Parking, And Celebrate Some Local Theme On The Courthouse Lawn Or In A Nearby Pasture, Touting Lost Days Of Imagined Glory. The Phenomenon Is Rapidly Proliferating Across The Region, But Until Now The Deeper Significance Of These Hometown Events Has Not Been Explored. In Ghost Dancing On The Cracker Circuit Rodger Brown Takes The Reader On A Road Trip Across The South. He Visits Many Festivals And Unweaves Their Webs To Find The Meaning That Lies Beneath. Instead Of Merry Times Of Celebration And Fund-raising, Brown Discerns Signs Of Mourning. Behind The Scrim Of Jolly Sideshows He Finds Communities Responding To Economic Restructuring And Cultural Change. As He Travels Across The South, He Absorbs Vivid Impressions Of Boosterism And Cornball Symbolism. Along This Comical Trail That He Terms The Cracker Circuit He Perceives How These Seasonal Events Are Staged By White Sponsors Attempting To Resurrect A Splendid Past That Actually Never Existed. He Likens Them To Legendary Indians Ghost Dancing In Ceremonial Performances Staged To Conjure Up A Lost Paradise. Brown's Adventurous, Good-natured Inspection Of This Pervasive Cultural Curiosity Discloses The State Of The South At The Turn Of The Millennium. Acknowledgments -- Introduction -- Chapter 1: Stuffing Sin In A Lard Bucket: Rattlesnake Roundup At Whigham, Georgia -- Chapter 2: History's All We Have Left: The Tobacco Festival (clarkton, North Carolina), Swine Time (climax, Georgia), And The Banana Festival (south Fulton, Tennessee) -- Chapter 3: Honoring The Cob: Hillbilly Days At Pikeville, Kentucky -- Chapter 4: This Year's Hernando: De Soto Celebration At Bradenton, Florida -- Chapter 5: Destiny In Dayton: Scopes Trial Play And Festival At Dayton, Tennessee -- Chapter 6: Hey, Barney; Hey, Andy: Mule Day At Calvary, Georgia -- Chapter 7: Aunt Bee's Death Certificate: Mayberry Days At Mount Airy, North Carolina -- Bibliography -- Index. Rodger Lyle Brown. Includes Bibliographical References And Index. Everybody knows about community festivals that celebrate the good ol' days--events like Rattlesnake Roundup, Peanut Days, and Mule Day. Countless towns around the South stage them. They set aside one weekend a year, rope off some parking, and celebrate some local theme on the courthouse lawn or in a nearby pasture, touting lost days of imagined glory. __Ghost Dancing on the Cracker Circuit__ As he travels across the South, he absorbs vivid impressions of boosterism and cornball symbolism. Along this comical trail that he terms the "cracker circuit" he perceives how these seasonal events are staged by white sponsors attempting to resurrect a splendid past that actually never existed. He likens them to legendary Indians "ghost dancing" in ceremonial performances staged to conjure up a lost paradise. __Green Acres and Gilligan's Island__ __The Andy Griffith Show__ Brown's adventurous, good-natured inspection of this pervasive cultural curiosity discloses the state of the South at the turn of the millennium.
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