Germans as Victims in the Literary Fiction of the Berlin Republic (Studies in German Literature Linguistics and Culture, 33) (Volume 33)

Edited By Stuart Taberner And Karina Berger. In Recent Years It Has Become Much More Accepted In Germany To Consider Aspects Of The Second World War In Which Germans Were Not Perpetrators, But Victims: The Allied Bombing Campaign, Expulsions Of Ethnic Germans, Mass Rapes Of German Women, And Postwar Internment And Persecution. An Explosion Of Literary Fiction On These Topics Has Accompanied This Trend. Sebald's The Air War And Literature And Grass's Crabwalk Are Key Texts, But There Are Many Others; The Great Majority Seek Not To Revise German Responsibility For The Holocaust But To Balance German Victimhood And German Perpetration. This Book Of Essays Is The First In English To Examine Closely The Variety Of These Texts. An Opening Section On The 1950s -- A Decade Of Intense Literary Engagement With German Victimhood Before The Focus Shifted To German Perpetration -- Provides Context, Drawing Parallels But Also Noting Differences Between The Immediate Postwar Period And Today. The Second Section Focuses On Key Texts Written Since The Mid-1990s Shifts In Perspectives On The Nazi Past, On Perpetration And Victimhood, On Ordinary Germans, And On The Balance Between Historical Empathy And Condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, And Stuart Taberner--publisher's Website. Includes Bibliographical References (p. [233]-249) And Index. First comprehensive look at how today's German literary fiction deals with questions of German victimhood.In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of'ethnic'Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety ofthese texts. An opening section on the 1950s -- a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration -- provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on'ordinary Germans,'and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Karina Berger holds a PhD in German from the University of Leeds. First comprehensive look at how today's German literary fiction deals with questions of German victimhood. In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety ofthese texts. An opening section on the 1950s -- a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration -- provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation. Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schdel, and Stuart Taberner. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Karina Berger holds a PhD in German from the University of Leeds. In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety ofthese texts. An opening section on the 1950s -- a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration -- provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation.

Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner.

Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. Karina Berger holds a PhD in German from the University of Leeds. In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of 'ethnic' Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's 'The Air War and Literature' and Grass's 'Crabwalk' are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety of these texts. An opening section on the 1950s - a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration - provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on 'ordinary Germans,' and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner. Stuart Taberner is professor of contemporary German literature, culture, and society, and Karina Berger, B.A., M.St., is a Ph.D. candidate, both at the University of Leeds, UK Forlagets omtale: "In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety of these texts. An opening section on the 1950s -- a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration -- provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner"