Georges Bataille : On the Philosophy of Georges Bataille

This Book Investigates What Bataille, In The Pineal Eye, Calls Mythological Representation: The Mythological Anthropology With Which This Unusual Thinker Wished To Outflank And Undo Scientific (and Philosophical) Anthropology. Gasché Probes That Anthropology By Situating Bataille's Thought With Respect To The Quatrumvirate Of Schelling, Hegel, Nietzsche, And Freud. He Begins By Showing What Bataille's Understanding Of The Mythological Owes To Schelling. Drawing On Hegel, Nietzsche, And Freud, He Then Explores The Notion Of Image That Constitutes The Sort Of Representation That Bataille's Innovative Approach Entails. Gasché Concludes That Bataille's Mythological Anthropology Takes On Hegel's Phenomenology In A Systematic Fashion. By Reading It Backwards, He Not Only Dismantles Its Architecture, He Also Ties Each Level To The Preceding One, Replacing The Idealities Of Philosophy With The Phantasmatic Representations Of What He Dubs Low Materialism. Phenomenology, Gasché Argues, Thus Paves The Way For A New Science Of Phantasms.--publisher's Website. Introduction: Subsidiary Developments -- Mythological Representation -- The Logic Of Phantasm -- The Signs Of The Phantasmatic Text -- Hegel Against The Immutable Hegel -- Phenomenology And Phantasmatology. Rodolphe Gasché ; Translated By Roland Végső. Originally Published In German Under The Title System Und Metaphorik In Der Philosophie Von Georges Bataille. Includes Bibliographical References And Index. This book is an investigation of what Bataille, in "The Pineal Eye," calls mythological representation: the mythological anthropology with which this unusual twentieth-century thinker wished to outflank and undo scientific (and philosophical) anthropology. Rodolphe Gasché probes that anthropology by situating Bataille's thought with respect to the quatrumvirate of Schelling, Hegel, Nietzsche, and Freud. He begins by showing what Bataille's understanding of the mythological owes to Schelling. Drawing on Hegel, Nietzsche, and Freud, he then explores the notion of image that constitutes the sort of representation that Bataille's innovative approach entails. Gasché concludes that Bataille's mythological anthropology takes on Hegel's phenomenology in a systematic fashion. By reading it backward, step by step, he not only dismantles its architecture, he also ties each level to the preceding one, replacing the idealities of philosophy with the phantasmatic representations of what he dubs "low materialism." Phenomenology, Gasché argues, thus paves the way for a new "science," the science of phantasms. Book jacket This book investigates what Bataille, in "The Pineal Eye," calls mythological representation: the mythological anthropology with which this unusual thinker wished to outflank and undo scientific (and philosophical) anthropology. Gasché probes that anthropology by situating Bataille's thought with respect to the quatrumvirate of Schelling, Hegel, Nietzsche, and Freud. He begins by showing what Bataille's understanding of the mythological owes to Schelling. Drawing on Hegel, Nietzsche, and Freud, he then explores the notion of image that constitutes the sort of representation that Bataille's innovative approach entails. Gasché concludes that Bataille's mythological anthropology takes on Hegel's phenomenology in a systematic fashion. By reading it backwards, he not only dismantles its architecture, he also ties each level to the preceding one, replacing the idealities of philosophy with the phantasmatic representations of what he dubs "low materialism." Phenomenology, Gasché argues, thus paves the way for a new "science" of phantasms. -- From publisher's website Content: Foreword -- David Farrell Krell Preface to the English Edition Introduction: Subsidiary Developments 1. Mythological Representation 2. The Logic of Phantasm 3. The Signs of the Phantasmatic Text 4. "Hegel against the Immutable Hegel" 5. Phenomenology and Phantasmatology Notes Bibliography Index.