George Santayana’s Marginalia, a Critical Selection, Book 2: McCord-Zeller

A selection of Santayana's notes in the margins of other authors' works that sheds light on his thought, art, and life. In his essay "Imagination," George Santayana writes, "There are books in which the footnotes, or the comments scrawled by some reader's hand in the margins, may be more interesting than the text." Santayana himself was an inveterate maker of notes in the margins of his books, writing (although neatly, never scrawling) comments that illuminate, contest, or interestingly expand the author's thought. These volumes offer a selection of Santayana's marginalia, transcribed from books in his personal library. These notes give the reader an unusual perspective on Santayana's life and work. He is by turns critical (often), approving (seldom), literary slangy, frivolous, and even spiteful. The notes show his humor, his occasional outcry at a writer's folly, his concern for the niceties of English prose and the placing of Greek accent marks. These two volumes list alphabetically by author all the books extant that belonged to Santayana, reproducing a selection of his annotations intended to be of use to the reader or student of Santayana's thought, his art, and his life. Santayana, often living in solitude, spent a great deal of his time talking to, and talking back to, a wonderful miscellany of writers, from Spinoza to Kant to J. S. Mill to Bertrand Russell. These notes document those conversations. In his essay "Imagination," George Santayana writes, "There are books in which the footnotes, or the comments scrawled by somereader's hand in the margins, may be more interesting than the text." Santayanahimself was an inveterate maker of notes in the margins of his books, writing(although neatly, never scrawling) comments that illuminate, contest, orinterestingly expand the author's thought. These volumes offer a selection ofSantayana's marginalia, transcribed from books in his personal library. These notesgive the reader an unusual perspective on Santayana's life and work. He is by turnscritical (often), approving (seldom), literary, slangy, frivolous, and evenspiteful. The notes show his humor, his occasional outcry at a writer's folly, hisconcern for the niceties of English prose and the placing of Greek accent marks.These two volumes list alphabetically by author all the books extant that belongedto Santayana, reproducing a selection of his annotations intended to be of use tothe reader or student of Santayana's thought, his art, and his life. Each entryincludes a headnote with the author's name, the title of the work, brief publicationinformation, and the library location of the book. Not all marginalia from a giventext is included; the notes have been selected for content and style. [cut lastsentence; cut entire paragraph if nec.] Santayana, often living in solitude, spent agreat deal of his time talking to, and talking back to, a wonderful miscellany ofwriters, from Spinoza to Kant to J. S. Mill to Bertrand Russell. These notesdocument those conversations.