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From the Tree to the Labyrinth : Historical Studies on the Sign and Interpretation

معرفی کتاب «From the Tree to the Labyrinth : Historical Studies on the Sign and Interpretation» نوشتهٔ Umberto Eco, Anthony Oldcorn، منتشرشده توسط نشر Harvard University در سال 2014. این کتاب در فرمت epub، زبان انگلیسی ارائه شده است.

The way we create and organize knowledge is the theme of __From the Tree to the Labyrinth__, a major achievement by one of the world's foremost thinkers on language and interpretation. Umberto Eco begins by arguing that our familiar system of classification by genus and species derives from the Neo-Platonist idea of a "tree of knowledge." He then moves to the idea of the dictionary, which--like a tree whose trunk anchors a great hierarchy of branching categories--orders knowledge into a matrix of definitions. In Eco's view, though, the dictionary is too rigid: it turns knowledge into a closed system. A more flexible organizational scheme is the encyclopedia, which­--instead of resembling a tree with finite branches--offers a labyrinth of never-ending pathways. Presenting knowledge as a network of interlinked relationships, the encyclopedia sacrifices humankind's dream of possessing absolute knowledge, but in compensation we gain the freedom to pursue an infinity of new connections and meanings. Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. __From the Tree to the Labyrinth__ is a brilliant illustration of Eco's longstanding argument that problems of interpretation can be solved only in historical context. The way we create and organize knowledge is the theme of From the Tree to the Labyrinth , a major achievement by one of the world's foremost thinkers on language and interpretation. Umberto Eco begins by arguing that our familiar system of classification by genus and species derives from the Neo-Platonist idea of a "tree of knowledge." He then moves to the idea of the dictionary, whichlike a tree whose trunk anchors a great hierarchy of branching categoriesorders knowledge into a matrix of definitions. In Eco's view, though, the dictionary is too rigid: it turns knowledge into a closed system. A more flexible organizational scheme is the encyclopedia, whichinstead of resembling a tree with finite branchesoffers a labyrinth of never-ending pathways. Presenting knowledge as a network of interlinked relationships, the encyclopedia sacrifices humankind's dream of possessing absolute knowledge, but in compensation we gain the freedom to pursue an infinity of new connections and meanings. Moving effortlessly from analyses of (https://www.goodreads.com/author/show/2192.Aristotle) Aristotle and (https://www.goodreads.com/author/show/5144.James_Joyce) James Joyce to the philosophical difficulties of telling dogs from cats, Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco's longstanding argument that problems of interpretation can be solved only in historical context. "The way we create and organize knowledge is the theme of From the Tree to the Labyrinth, a major achievement by one of the world's foremost thinkers on language and interpretation. Umberto Eco begins by arguing that our familiar system of classification by genus and species derives from the Neo-Platonist idea of a 'tree of knowledge.' He then moves to the idea of the dictionary, which -- like a tree whose trunk anchors a great hierarchy of branching categories -- orders knowledge into a matrix of definitions. In Eco's view, though, the dictionary is too rigid: it turns knowledge into a closed system. A more flexible organizational scheme is the encyclopedia, which - instead of resembling a tree with finite branches -- offers a labyrinth of never-ending pathways. Presenting knowledge as a network of interlinked relationships, the encyclopedia sacrifices humankind's dream of possessing absolute knowledge, but in compensation we gain the freedom to pursue an infinity of new connections and meanings. Moving effortlessly from analyses of Aristotle and James Joyce to the philosophical difficulties of telling dogs from cats, Eco demonstrates time and again his inimitable ability to bridge ancient, medieval, and modern modes of thought. From the Tree to the Labyrinth is a brilliant illustration of Eco's longstanding argument that problems of interpretation can be solved only in historical context."--Publisher's description In a footnote to the Preface of his A nthropology Kant gives, if not altogether accurately, the historical background for the publication of this work. The A nthropology is, in effect, his manual for a course of lectures which he gave "for some thirty years," in the winter semesters at the University of Konigsberg. In 1797, when old age forced him to discontinue the course and he felt that his manual would not compete with the lectures themselves, he decided to let the work be published (Ak. VII, 354, 356). The reader will readily see why these lectures were, as Kant says, popular ones, attended by people from other walks of life. In both content and style the Anthropology is far removed from the rigors of the Critiques. Yet the Anthropology presents its own special problems. The student of Kant who struggles through the Critique of Pure Reason is undoubtedly left in some perplexity regarding specific points in it, but he is quite clear as to what Kant is attempting to do in the work. On finishing the Anthropology he may well find himself in just the opposite situation. While its discussions of the functioning of man's various powers are, on the whole, quite lucid and even entertaining, the purpose of the work remains somewhat vague. The questions: what is pragmatic anthropology? what is its relation to Kant's more strictly philosophical works? have not been answered satisfactorily How we create and organize knowledge is the theme of this major achievement by Umberto Eco. Demonstrating once again his inimitable ability to bridge ancient, medieval, and modern modes of thought, he offers here a brilliant illustration of his longstanding argument that problems of interpretation can be solved only in historical context.
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