From Sounds to Music and Emotions: 9th International Symposium CMMR 2012, London, UK, June 19-22, 2012, Revised Selected Papers (Lecture Notes in Computer Science, 7900)

This book constitutes the thoroughly refereed post-conference proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval, CMMR 2012, held in London, UK, in June 2012. The 28 revised full papers presented were carefully reviewed and selected for inclusion in this volume. The papers have been organized in the following topical sections: music emotion analysis; 3D audio and sound synthesis; computer models of music perception and cognition; music emotion recognition; music information retrieval; film soundtrack and music recommendation; and computational musicology and music education. The volume also includes selected papers from the Cross-Disciplinary Perspectives on Expressive Performance Workshop held within the framework of CMMR 2012. Front Matter....Pages - The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music....Pages 1-18 Emotion in Motion: A Study of Music and Affective Response....Pages 19-43 Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates....Pages 44-57 Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes....Pages 58-81 Perceptual Characteristic and Compression Research in 3D Audio Technology....Pages 82-98 Intuitive Control of Rolling Sound Synthesis....Pages 99-109 EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data....Pages 110-129 Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds....Pages 130-153 Auditory Sketches: Sparse Representations of Sounds Based on Perceptual Models....Pages 154-170 The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music Features....Pages 171-196 The Intervalgram: An Audio Feature for Large-Scale Cover-Song Recognition....Pages 197-213 Perceptual Dimensions of Short Audio Clips and Corresponding Timbre Features....Pages 214-227 Music Emotion Recognition: From Content- to Context-Based Models....Pages 228-252 Predictive Modeling of Expressed Emotions in Music Using Pairwise Comparisons....Pages 253-277 Analyzing the Perceptual Salience of Audio Features for Musical Emotion Recognition....Pages 278-300 Sample Identification in Hip Hop Music....Pages 301-312 Music Similarity Evaluation Using the Variogram for MFCC Modelling....Pages 313-332 Automatic String Detection for Bass Guitar and Electric Guitar....Pages 333-352 Using Oracle Analysis for Decomposition-Based Automatic Music Transcription....Pages 353-365 The Influence of Music on the Emotional Interpretation of Visual Contexts....Pages 366-377 The Perception of Auditory-Visual Looming in Film....Pages 378-386 Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Series....Pages 387-399 Structural Similarity Based on Time-Span Tree....Pages 400-421 Subject and Counter-Subject Detection for Analysis of the Well-Tempered Clavier Fugues....Pages 422-438 Market-Based Control in Interactive Music Environments....Pages 439-458 (Re)Shaping Musical Gesture: Modelling Voice Balance and Overall Dynamics Contour....Pages 459-468 Multimodal Analysis of Piano Performances Portraying Different Emotions....Pages 469-479 Focal Impulses and Expressive Performance....Pages 480-489 Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control....Pages 490-499 Back Matter....Pages -