From Plantation to Paradise? : Cultural Politics and Musical Theatre in French Slave Colonies, 1764–1789

In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of __créole__ texts and white actors/singers __à visage noirs__ (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States. In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre-French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers's book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, dčor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of crǒle texts and white actors/singers ̉visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of 'patriotic theatres, ' and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States Contents List of Illustrations Preface Acknowledgments Introduction Chapter 1. Establishment of Colonial Hierarchy Chapter 2. Politics and Power Chapter 3. Colonial Society at the Theatre Chapter 4. Introducing the Stars Chapter 5. Breaking through the Barrier Chapter 6. The Escape from Reality Continues Chapter 7. Finale: The Beginning of the End Epilogue Appendix 1. Glossary Appendix 2. “La Fauvette” (The Warbler) Appendix 3. Moreau: Effects of Miscegenation Appendix 4. Descriptions of Colonial Theatres Appendix 5. Premieres of Plays by Molière and Voltaire Appendix 6. Discography Appendix 7. Colonial Productions with Sub-Saharan African Elements Notes Bibliography Index Introduction -- Establishment Of Colonial Hierarchy -- Politics And Power -- Colonial Society At The Theatre -- Introducing The Stars -- Breaking Through The Barrier -- The Escape From Reality Continues -- Finale : The Beginning Of The End -- Epilogue -- Appendix 1: Glossary -- Appendix 2: La Fauvette (the Warbler) -- Appendix 3: Moreau : Effects Of Miscegenation -- Appendix 4: Descriptions Of Colonial Theatres -- Appendix 5: Premieres Of Plays By Molière And Voltaire -- Appendix 6: Discography -- Appendix 7: Colonial Productions With Sub-saharan African Elements. David M. Powers. Includes Bibliographical References And Index. A rigorous study of pre-French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), this title examines the elaborate system of social casting in these colonies; the environments in which non-white artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies.