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Free Verse: An Essay on Prosody (Writings from an Unbound Europe (Paperback))

معرفی کتاب «Free Verse: An Essay on Prosody (Writings from an Unbound Europe (Paperback))» نوشتهٔ Charles O. Hartman، منتشرشده توسط نشر Northwestern University Press در سال 1998. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

To make sense of "free verse" in theory or in practice, the study of prosody - the function of rhythm in poetry - must be revised and rethought. In Free Verse: An Essay on Prosody, Charles Hartman develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry. Hartman examines nonmetrical verse, discusses the conventions that have emerged in the absence of meter, and shows how these conventions can work prosodically. By analyzing the work of Williams and Eliot - the prosodic masters among the early modernists - Hartman traces their influence on more contemporary poets. In his exploration of the means by which a poet controls the reader's temporal experience of poetry. Hartman presents an invaluable treatment of the concept of verse. To make sense of free verse'in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman takes up the challenge and develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry.Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. To make sense of free verse"" in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman takes up the challenge and develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. Thes Some Preliminary Issues..............1 The Problems of Organic Form..............27 Can Free Verse Be Classified?..............43 The First Cycle..............55 Those Monstrous Compositions..............81 From Romantic Afflatus to Victorian Contraption..............103 Bards and Prophets..............135 No Verse Is Really Free..............179 To make sense of "free verse" in theory of in practice, the study of prosodythe function of rhythm in poetrymust be revised and rethought. In Free An Essay on Prosody, Charles Hartman develops a theory of prosody that includes the most characteristic form of twentieth-century poetry. Charles O. Hartman. Includes Index. Bibliography: P. [187]-193.
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