Frankenstein's Children : Electricity, Exhibition, and Experiment in Early-Nineteenth-Century London

During the second quarter of the nineteenth century, Londoners were enthralled by a strange fluid called electricity. In examining this period, Iwan Morus moves beyond the conventional focus on the celebrated Michael Faraday to discuss other electrical experimenters, who aspired to spectacular public displays of their discoveries. Revealing connections among such diverse fields as scientific lecturing, laboratory research, telegraphic communication, industrial electroplating, patent conventions, and innovative medical therapies, Morus also shows how electrical culture was integrated into a new machine-dominated, consumer society. He sees the history of science as part of the history of production, and emphasizes the labor and material resources needed to make electricity work. Frankenstein's Children explains that Faraday, with his colleagues at the Royal Society and the Royal Institution, looked at science as the province of a highly trained elite, who presented their abstract picture of nature only to select groups. The book contrasts Faraday's views with those of other practitioners, to whom science was a practical, skill-based activity open to all. In venues such as the Galleries of Practical Science, electrical phenomena were presented to a public less distinguished but no less enthusiastic and curious than Faraday's audiences. William Sturgeon, for instance, emphasized building apparatus and exhibiting electrical phenomena, while chemists, instrument-makers, and popular lecturers supported the London Electrical Society. These previously little studied "electricians" contributed much to the birth of "Frankenstein's children"—the not completely benign effects of electricity on a new consumer world. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. During the second quarter of the nineteenth century, Londoners were enthralled by a strange fluid called electricity. In examining this period, Iwan Morus moves beyond the conventional focus on the celebrated Michael Faraday to discuss other electrical experimenters, who aspired to spectacular public displays of their discoveries. Revealing connections among such diverse fields as scientific lecturing, laboratory research, telegraphic communication, industrial electroplating, patent conventions, and innovative medical therapies, Morus also shows how electrical culture was integrated into a new machine-dominated, consumer society. He sees the history of science as part of the history of production, and emphasizes the labor and material resources needed to make electricity work.

Frankenstein's Children explains that Faraday, with his colleagues at the Royal Society and the Royal Institution, looked at science as the province of a highly trained elite, who presented their abstract picture of nature only to select groups. The book contrasts Faraday's views with those of other practitioners, to whom science was a practical, skill-based activity open to all. In venues such as the Galleries of Practical Science, electrical phenomena were presented to a public less distinguished but no less enthusiastic and curious than Faraday's audiences. William Sturgeon, for instance, emphasized building apparatus and exhibiting electrical phenomena, while chemists, instrument-makers, and popular lecturers supported the London Electrical Society. These previously little studied "electricians" contributed much to the birth of "Frankenstein's children"--the not completely benign effects of electricity on a new consumer world.

Frontmatter LIST OF ILLUSTRATIONS (page vii) PREFACE (page ix) PART ONE: THE PLACES OF EXPERIMENT (page 1) INTRODUCTION: Electricity, Experiment, and the Experimental Life (page 3) CHAPTER 1: The Errors of a Fashionable Man: Michael Faraday and the Royal Institution (page 13) CHAPTER 2: The Vast Laboratory of Nature: William Sturgeon and Popular Electricity (page 43) CHAPTER 3: Blending Instruction with Amusement: London's Galleries of Practical Science (page 70) CHAPTER 4: A Science of Experiment and Observation: The Rise and Fall of the London Electrical Society (page 99) CHAPTER 5: The Right Arm of God: Electricity and the Experimental Production of Life (page 125) PART TWO: MANAGING MACHINE CULTURE (page 153) INTRODUCTION: From Performance to Process (page 155) CHAPTER 6: They Have No Right to Look for Fame: The Patenting of Electricity (page 164) CHAPTER 7: To Annihilate Time and Space: The Invention of the Telegraph (page 194) CHAPTER 8: Under Medical Direction: The Regulation of Electrotherapy (page 231) CODA: The Disciplining of Experimental Life (page 257) NOTES (page 263) BIBLIOGRAPHY (page 295) INDEX (page 317)