حرکت رو به جلو

This deep, yet user-friendly book provides a unique view of how to learn to play jazz correctly. Hal, who was the pianist for Cannonball Adderley and Phil Woods, among others, dissects the problem of how the phrasing of many aspiring musicians prevents the music from swinging. Indispensible! Endorsed by Dave Liebman, Bobby Watson, Dr. John Kuzmich and others. A Note To The Reader Acknowledgements Table Of Contents Forward Preface Introduction The Oral Tradition Chapter 1 Melody And Embellishment Playing In Half-Time Rhythmic Syncopation Chapter 2 Rhythmic Forward Motion Chapter 3 Scalar Forward Motion Strong and Weak Melodies Descending Scale Lines That Last For Chords Two Ascending Scale Lines For Chords That Last Two Beats Each Ascending and Descending Scale Lines For Chords That Last Four or More Beats Each. Adding Additional Half-steps To a Scale Ascending Scale Lines With Added Half-steps Chapter 4 Arpeggios & Forward Motion Melodic Inversions Unresolved Arpeggios Resolving Arpeggios and Creating Pick-ups Chapter 5 Forward Motion & Appoggiaturas Chapter 6 Intervals & Forward Motion Chapter 7 Harmonic Forward Motion Chapter 8 Pentatonics & Cells With Forward Motion Pentatonic Scales With FM Spelling Chord Changes With Pentatonics Cell Improvising & Forward Motion Chapter 9 Superimposition Rhythmic Superimposition Melodic/Harmonic Superimposition Chapter 10 How To Practice Forward Motion Inner Processes Vivid Imagination and Focused Concentration Internal Processes Aural Imagination Concentration The Practicing Attitude The Playing Attitude Correcting Outmoded Practice Habits Preparation Execution Organizing Your Practicing TipSheet Link