Form as Revolt: Carl Einstein and the Ground of Modern Art (Signale: Modern German Letters, Cultures, and Thought)

The German writer and art critic Carl Einstein (1885–1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In __Form as Revolt__ Sebastian Zeidler recovers Einstein's multifaceted career, offering the first comprehensive intellectual biography of Einstein in English.Einstein first emerged as a writer of experimental prose through his involvement with the anarchist journal __Die Aktion__. After a few limited forays into art criticism, he burst onto the art scene in 1915 with his book __Negro Sculpture__, at once a formalist intervention into the contemporary theory and practice of European sculpture and a manifesto for the sophistication of African art. Einstein would go on to publish seminal texts on the cubist paintings of Georges Braque and Pablo Picasso. His contributions to the surrealist magazine __Documents__ (which Einstein cofounded with Georges Bataille), including writings on Picasso and Paul Klee, remain unsurpassed in their depth and complexity.In a series of close visual analyses—illustrated with major works by Braque, Picasso, and Klee—Zeidler retrieves the theoretical resources that Einstein brought to bear on their art. __Form as Revolt__ shows us that to rediscover Einstein's art criticism is to see the work of great modernist artists anew through the eyes of one of the most gifted left-wing formalists of the twentieth century. The German writer and art critic Carl Einstein (1885–1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In Form as Revolt Sebastian Zeidler recovers Einstein's multifaceted career, offering the first comprehensive intellectual biography of Einstein in English.Einstein first emerged as a writer of experimental prose through his involvement with the anarchist journal Die Aktion . After a few limited forays into art criticism, he burst onto the art scene in 1915 with his book Negro Sculpture , at once a formalist intervention into the contemporary theory and practice of European sculpture and a manifesto for the sophistication of African art. Einstein would go on to publish seminal texts on the cubist paintings of Georges Braque and Pablo Picasso. His contributions to the surrealist magazine Documents (which Einstein cofounded with Georges Bataille), including writings on Picasso and Paul Klee, remain unsurpassed in their depth and complexity.In a series of close visual analyses—illustrated with major works by Braque, Picasso, and Klee—Zeidler retrieves the theoretical resources that Einstein brought to bear on their art. Form as Revolt shows us that to rediscover Einstein's art criticism is to see the work of great modernist artists anew through the eyes of one of the most gifted left-wing formalists of the twentieth century. | The German writer and art critic Carl Einstein (1885–1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In Form as Revolt Sebastian Zeidler recovers Einstein's multifaceted career, offering the first comprehensive intellectual biography of Einstein in English. Einstein first emerged as a writer of experimental prose through his involvement with the anarchist journal Die Aktion. After a few limited forays into art criticism, he burst onto the art scene in 1915 with his book Negro Sculpture , at once a formalist intervention into the contemporary theory and practice of European sculpture and a manifesto for the sophistication of African art. Einstein would go on to publish seminal texts on the cubist paintings of Georges Braque and Pablo Picasso. His contributions to the surrealist magazine Documents (which Einstein cofounded with Georges Bataille), including writings on Picasso and Paul Klee, remain unsurpassed in their depth and complexity. In a series of close visual analyses—illustrated with major works by Braque, Picasso, and Klee—Zeidler retrieves the theoretical resources that Einstein brought to bear on their art. Form as Revolt shows us that to rediscover Einstein's art criticism is to see the work of great modernist artists anew through the eyes of one of the most gifted left-wing formalists of the twentieth century. The German Writer And Art Critic Carl Einstein (1885-1940) Has Long Been Acknowledged As An Important Figure In The History Of Modern Art, And Yet He Is Often Sidelined As An Enigma. In Form As Revolt Sebastian Zeidler Recovers Einstein's Multifaceted Career, Offering The First Comprehensive Intellectual Biography Of Einstein In English. Einstein First Emerged As A Writer Of Experimental Prose Through His Involvement With The Anarchist Journal Die Aktion. After A Few Limited Forays Into Art Criticism, He Burst Onto The Art Scene In 1915 With His Book Negro Sculpture, At Once A Formalist Intervention Into The Contemporary Theory And Practice Of European Sculpture And A Manifesto For The Sophistication Of African Art. Einstein Would Go On To Publish Seminal Texts On The Cubist Paintings Of Georges Braque And Pablo Picasso. His Contributions To The Surrealist Magazine Documents (which Einstein Cofounded With Georges Bataille), Including Writings On Picasso And Paul Klee, Remain Unsurpassed In Their Depth And Complexity. In A Series Of Close Visual Analyses Llustrated With Major Works By Braque, Picasso, And Klee Eidler Retrieves The Theoretical Resources That Einstein Brought To Bear On Their Art. Form As Revolt Shows Us That To Rediscover Einstein's Art Criticism Is To See The Work Of Great Modernist Artists Anew Through The Eyes Of One Of The Most Gifted Left-wing Formalists Of The Twentieth Century--publisher's Website. Carl Einstein: A Life -- Carl Einstein: An Introduction -- The Lost Wanderer -- Sculpture Ungrounded -- Cubism's Passion -- The Double Style -- Private Mythologies. Sebastian Zeidler. A Signale Book Includes Bibliographical References And Index.

The German writer and art critic Carl Einstein (1885–1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In Form as Revolt Sebastian Zeidler recovers Einstein’s multifaceted career, offering the first comprehensive intellectual biography of Einstein in English.

Einstein first emerged as a writer of experimental prose through his involvement with the anarchist journal Die Aktion. After a few limited forays into art criticism, he burst onto the art scene in 1915 with his book Negro Sculpture, at once a formalist intervention into the contemporary theory and practice of European sculpture and a manifesto for the sophistication of African art. Einstein would go on to publish seminal texts on the cubist paintings of Georges Braque and Pablo Picasso. His contributions to the surrealist magazine Documents (which Einstein cofounded with Georges Bataille), including writings on Picasso and Paul Klee, remain unsurpassed in their depth and complexity. In a series of close visual analyses—illustrated with major works by Braque, Picasso, and Klee—Zeidler retrieves the theoretical resources that Einstein brought to bear on their art. Form as Revolt shows us that to rediscover Einstein’s art criticism is to see the work of great modernist artists anew through the eyes of one of the most gifted left-wing formalists of the twentieth century.

"The German writer and art critic Carl Einstein (1885--1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In Form as Revolt Sebastian Zeidler recovers Einstein's multifaceted career, offering the first comprehensive intellectual biography of Einstein in English. Einstein first emerged as a writer of experimental prose through his involvement with the anarchist journal Die Aktion. After a few limited forays into art criticism, he burst onto the art scene in 1915 with his book Negro Sculpture, at once a formalist intervention into the contemporary theory and practice of European sculpture and a manifesto for the sophistication of African art. Einstein would go on to publish seminal texts on the cubist paintings of Georges Braque and Pablo Picasso. His contributions to the surrealist magazine Documents (which Einstein cofounded with Georges Bataille), including writings on Picasso and Paul Klee, remain unsurpassed in their depth and complexity. In a series of close visual analyses--illustrated with major works by Braque, Picasso, and Klee--Zeidler retrieves the theoretical resources that Einstein brought to bear on their art. Form as Revolt shows us that to rediscover Einstein's art criticism is to see the work of great modernist artists anew through the eyes of one of the most gifted left-wing formalists of the twentieth century"--Publisher's website The German writer and art critic Carl Einstein (1885-1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In this book, Sebastian Zeidler recovers Einstein's multifaceted career, offering a comprehensive intellectual biography of Einstein Contents List of Abbreviations Carl Einstein: A Life Carl Einstein: An Introduction 1. The Lost Wanderer 2. Sculpture Ungrounded 3. Cubism‘s Passion 4. The Double Style 5. Private Mythologies Acknowledgments Notes Copyright and Photographic Credits Index