ماشین گوشت: سایبورگ‌ها، بچه‌های طراح و آگاهی نوین ژنتیکی

Having elsewhere explored the dimensions of social and political control in electronic culture, the Critical Arts Ensemble here turns full frontal towards the body, arguing that utopian promises of virtuality are simple distractions from the real project: the deployment of biotechnologies upon the bodies of citizens in the service of the transnational order. CAE's interventions into the sacrosanct territories of authority represent a provocation directed at both the worn traditions of public sphere cultural politics and a reckoning with the accelerating implications of technologies for a generation inebriated with virtualization--Tim Druckrey.