Flash of light, wall of fire : Japanese photographs documenting the atomic bombings of Hiroshima and Nagasaki

In August 1945, the United States dropped atomic bombs on Hiroshima and Nagasaki, and the immediate aftermath was documented by Japanese photographers. For the most part the images they produced were censored or confiscated, but many were preserved in secret. Some were published widely in Japan during the 1950s, though not in the United States. Later, prints and negatives were gathered by groups such as the Anti-Nuclear Photographers’ Movement of Japan, whose collection is now housed at the Briscoe Center for American History. The center’s Hiroshima and Nagasaki Atomic Bomb Photographs Archive consists of more than eight hundred photographs, over one hundred of which are seen here for the first time in an English-language publication. To mark the seventy-fifth anniversary of the bombings, Flash of Light, Wall of Fire features the work of twenty-three Japanese photographers who risked their lives to capture the devastation. Together these images serve as a visual record of nuclear destruction, the horrific effects of radiation exposure, and the mass suffering that ensued. A preface by Briscoe Center Executive Director Don Carleton, an essay by Michael B. Stoff, and an afterword by Japanese journalist Michiko Tanaka explore how the images were collected and preserved as well as how they helped provoke calls for peace and the abolishment of nuclear weapons. "In 1945, American forces authorized the release of photographs taken by Japanese citizens in the immediate aftermath of the bombings of Hiroshima and Nagasaki. Many of these images survived as a result and became part of the Hiroshima and Nagasaki Atomic Bomb Photographs Archive, now housed at the Briscoe Center for American History. The archive consists of more than eight hundred photographs, over one hundred of which are collected here. Accompanying a major exhibition at the Briscoe Center in 2020 to be held on the seventy-fifth anniversary of the bombings, Flash of Light, Wall of Fire features the work of twenty-three Japanese photographers who risked their lives to capture the devastation. These harrowing images serve as visual documentation of nuclear blast damage and destruction, the burnt human flesh, the horrific after effects of radiation, and the mass human suffering that ensued. An introductory essay from Michael B. Stoff and an afterword by Japanese journalist Michiko Tanaka--who grew up in post-war Hiroshima--explore how the images were obtained and how they helped provoke calls for peace and the abolishment of nuclear weapons."-- Provided by publisher