Fight, Flight, or Chill : Subcultures, Youth, and Rave Into the Twenty-First Century

Wilson presents a detailed examination of the notorious 'rave' youth subculture as it existed during a key window in its development from 'underground to mainstream', during the mid and late 1990s. Contents Acknowledgments Introduction 1 Youth Culture, Complexity, and Rave PART ONE: Rave Culture, History, and Social Experience 2 From New York to Ibiza to Britain to Toronto: Rave Histories, Contexts, and Panics 3 Doctrines, Disappointments, and Dance: Perspectives and Activities in the Rave Scene 4 Making Impressions, Making Investments: Identities, Relationships, Commitments, and Rave PART TWO: Reading Rave, Interpreting Youth Culture 5 Fight, Flight, or Chill: Reconsidering Youth Subcultural Resistance 6 Marketing "The Vibe": Community, Nostalgia, Political Economy, and Rave Conclusion 7 Raise a Fist? Reflections on Theory and Practice Appendix 1: Comments about Method and Theory References Index A B C D E F G H I K L M N O P R S T V W Y Fight, Flight or Chill explores the extent to which raver youths' experiences are constrained or determined by individualistic, high-tech, mass-mediated Western culture in which alienated and unfulfilled youth are apparently more at-risk for escapist and thrill-seeking behaviours. Wilson considers how raver youth creatively and proactively subvert these constraints in novel and empowering ways - from political activism to symbolic and stylistic expressions of resistance to community-building efforts. He also discusses the globalization and political economy of rave and youth culture and examines the ideologies that underlie simple solutions to the complex concerns over young people today. Rave is one of the first distinct and significant youth subcultures to emerge since the early days of punk rockers and skinheads. A middle-class culture renowned for drug use, computer-generated "techno" music, and all-night dance parties, rave has been described as everything from a drug cult to a neo-hippie community. Brian Wilson uses his ethnographic research on rave during the mid and late 1990s in Southern Ontario to discuss the ways in which young people participate in social and cultural life at the turn of the millennium This books explores the extent to which raver youths' experiences are constrained or determined by individualistic, high-tech, mass-mediated Western culture in which alientated and unfulfilled youth are apparently more at-risk for escapist and thrill-seeking behaviours. Wilson considers how raver youth creatively and proactively subvert these constraints in novel and empowering ways--from political activism to symbolic and stylistic expressions of resistance to community-building efforts Analyses the notorious "rave" subculture and what it tells us about young people