Fictions of Authorship in Late Elizabethan Narratives: Euphues in Arcadia (Oxford English Monographs)

The sensational narratives of John Lyly, Robert Greene, and Thomas Lodge established prose fiction as an independent genre in the late sixteenth century. The texts they created are a paradoxical blend of outrageous plotting and rhetorical sophistication, high and low culture. Although their works were feverishly devoured by contemporary readers, these writers are usually only known to students as sources for Shakespearean comedy. Fictions of Authorship in Late Elizabethan Narratives re-examines some of the pamphleteers earlier critics christened the University Wits, young professionals who exposed their education and talents to the still new and uncertain world of mass market publication. These texts chart their authors' disenchantment with the limitations of romance and of their own careers, yet they also form an alternative canon of vernacular writing, which is both self-referential and self-questioning. Shocking, unpredictable, and very engaging, these narratives provide a vivid commentary on the interface between popular taste and English literature. These texts chart their authors' disenchantment with the limitations of romance and of their own careers, yet they also form an alternative canon of vernacular writing, which is both self-referential and self-questioning. Shocking, unpredictable, and very engaging, these narratives provide a vivid commentary on the interface between popular taste and 'English literature'."--Jacket Introduction : 'The ironicall recreation of the reader' The making of Master G.H. : Gascoigne, Whetstone, Grange, and Harvey Strange and incredible adventures: Lyly's Euphues and Greene's Mamillia Greene's Glucupilica Knowing your place : Greene's Pandosto and Menaphon From Arden to America. John Lyle, Robert Greene and Thomas Lodge created the pulp fiction of the later 16th century. This text examines how these highly educated writers dealt with the constraints of mass market authorship, and replaces their often neglected narratives at the heart of Elizabethan literature