فمینیسم‌ها: تنوع، تفاوت و کثرت در فرهنگ‌های سینمایی معاصر

This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, __Feminisms__ will be essential reading for scholars of both film and feminism. Contents Editorial Preface Acknowledgments Introduction: 1970s Feminist Film Theory and the Obsolescent Object PART I New Perspectives: Images and the Female Body Disconnected Heroines, Icy Intelligence: Reframing Feminism(s) and Feminist Identities at the Borders Involving the Isolated Female TV Detective in Scandinavian-Noir Lena Dunham’s Girls: Can-Do Girls, Feminist Killjoys, and Women Who Make Bad Choices Destroy Visual Pleasure: Cinema, Attention, and the Digital Female Body (Or, Angelina Jolie Is a Cyborg) The Intertextual Stardom of Iris: Winslet, Dench, Murdoch, and Alzheimer’s Disease PART II Theory in Contemporary Contexts Imagining Safe Space in Feminist Pornography Uncommon Sensuality: New Queer Feminist Film/Theory The Promise of Touch: Turns to Affect in Feminist Film Theory Sound and Feminist Modernity in Black Women’s Film Narratives PART III History and Practice The “New” Experimentalism? Women In/And/On Film Conditions of Activism: Feminist Film Activism and the Legacy of the Second Wave US Independent Women’s Cinema, Sundance Girls, and Identity Politics PART IV Contextualizing History: New Frontiers in Feminist Journals Suddenly, One Summer: Frauen und Film since 1974 (Re)Inventing Camera Obscura PART V Discussions: Dialoguing Difference and Extremity in Contemporary Cinemas Film, Corporeality, Transgressive Cinema: A Feminist Perspective Disconnection Notices: Interview with Miranda July Notes General Bibliography Notes on Contributors Index of Names Index of Film Titles