Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter (Re Visions : Critical Studies in the History and Theory of Art)
معرفی کتاب «Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter (Re Visions : Critical Studies in the History and Theory of Art)» نوشتهٔ Jo Anna Isaak، منتشرشده توسط نشر London ; Routledge در سال 1996. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
Looks at the work of a diverse range of artists and explores the effect of feminist theory on art practice. The book provides a provocative and valuable account of the diversity and revolutionary potential of women's art practice. The impact of women artists on the contemporary art movement has resulted in a powerful and innovative feminist reworking of traditional approaches to the theory and history of art. Feminism and Contemporary Art discusses the work of individual women artists within the context of the wider social, physical and political world.Jo Anna Isaac looks the work of a diverse range of artists from the United States, the former Soviet Union, the United Kingdom and Canada. She discusses the work of such women as Barbara Kruger, Cindy Sherman, Nancy Spero, Elaine Reichek, Jeanne Silverthorne, Mary Kelly, Lorna Simpson, Hannah Wilke, Jenny Holzer, Kiki Smith and the Guerilla Girls. In an original case study of art production in a non-capitalist context, Jo Anna Isaak examines a range of work by twentieth-century Soviet women artistsRefuting the notion that there is a specifically female way of creating art, and dubious of any generalizing notion of "feminist art practices", Isaak nevertheless argues that contemporary art under the influence of feminism is providing the momentum for a comic critique of key assumptions about art, art history and the role of the artist.Richly illustrated with over one hundred photographs, paintings and images by women artists this work provides a provocative and valuable account of the diversity and revolutionary potential of women's art practice. Refuting The Notion That There Is A Specifically Female Way Of Creating Art, And Dubious Of Any Generalizing Notion Of Feminist Art Practices, Isaak Nevertheless Argues That Contemporary Art Under The Influence Of Feminism Is Providing The Momentum For A Comic Critique Of Key Assumptions About Art, Art History And The Role Of The Artist. 1. The Revolutionary Power Of Women's Laughter -- 2. Art History And Its (dis)contents -- 3. Reflections Of Resistance: Women Artists On The Other Side Of The Mir -- 4. Mothers Of Invention -- 5. Mapping The Imaginary -- 6. Encore. Jo Anna Isaak. Includes Bibliographical References (p. 229-235) And Index. Book Cover......Page 1 Title......Page 4 Contents......Page 5 List of illustrations......Page 10 Acknowledgements......Page 14 INTRODUCTION......Page 16 THE REVOLUTIONARY POWER OF WOMEN'S LAUGHTER......Page 26 ART HISTORY AND ITS (DIS)CONTENTS......Page 62 REFLECTIONS OF RESISTANCE: WOMEN ARTISTS ON THE OTHER SIDE OF THE MIR......Page 92 MOTHERS OF INVENTION......Page 154 MAPPING THE IMAGINARY......Page 171 ENCORE......Page 197 Notes......Page 241 Bibliography......Page 244 Index......Page 251
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