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سرنوشت، طبیعت و فرم ادبی: سیاست‌های تراژیک در ادبیات ژاپنی

Fate, Nature, and Literary Form : The Politics of the Tragic in Japanese Literature

جلد کتاب سرنوشت، طبیعت و فرم ادبی: سیاست‌های تراژیک در ادبیات ژاپنی

معرفی کتاب «سرنوشت، طبیعت و فرم ادبی: سیاست‌های تراژیک در ادبیات ژاپنی» (با عنوان لاتین Fate, Nature, and Literary Form : The Politics of the Tragic in Japanese Literature) نوشتهٔ Nishi, Kinya، منتشرشده توسط نشر Academic Studies Press در سال 2020. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

A theoretical reexamination of the concept of the “tragic” combined with detailed analyses of Japanese literary texts. Inspired by Western critical theory, the author unveils a rich tradition of tragic literature in Japan that has registered the unbridgeable gap between universal ideals and social values at a historical moment. "This study is a theoretical reconsideration of the concept of the "tragic" combined with detailed analyses of Japanese literary texts. Inspired by contemporary critical discourse (especially the works by such thinkers as Theodor Adorno, Fredric Jameson and Raymond Williams), the author challenges both exotic and postmodern representation of Japanese culture as "the other" of the West. By examining the social backgrounds of artists' endeavors to create new literary forms, the author unveils a rich tradition of tragic literature that, unlike the dominant local tradition of naturalism, has registered the unbridgeable gap between universal ideals and social values at a particular historical moment"-- Provided by publisher

This study is a theoretical reconsideration of the concept of the "tragic" combined with detailed analyses of Japanese literary texts. Inspired by contemporary critical discourse (especially the works by such thinkers as Theodor Adorno, Fredric Jameson and Raymond Williams), the author challenges both exotic and postmodern representation of Japanese culture as "the other" of the West. By examining the social backgrounds of artists' endeavors to create new literary forms, the author unveils a rich tradition of tragic literature that, unlike the dominant local tradition of naturalism, has registered the unbridgeable gap between universal ideals and social values at a particular historical moment.

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