Fashioning Spaces : Mode and Modernity in Late-Nineteenth-Century Paris

In Fashioning Spaces, Heidi Brevik-zender Argues That In The Years Between 1870 And 1900 The Chroniclers Of Parisian Modernity Depicted The Urban Landscape Not Just In Public Settings Such As Boulevards And Parks But Also In Dislocations, Spaces Where The Public And The Intimate Overlapped In Provocative And Subversive Ways. Stairwells, Theatre Foyers, Dressmakers' Studios, And Dressing Rooms Were In-between Places That Have Long Been Overlooked But Were Actually Marked As Indisputably Modern Through Their Connections With High Fashion. Fashioning Spaces Engages With And Thinks Beyond The Work Of Critics Charles Baudelaire And Walter Benjamin To Arrive At New Readings Of The French Capital. Examining Literature By Zola, Maupassant, Rachilde, And Others, As Well As Paintings, Architecture, And The Fashionable Garments Worn By Both Men And Women, Brevik-zender Crafts A Compelling And Innovative Account Of How Fashion Was Appropriated As A Way Of Writing About The Complexities Of Modernity In Fin-de-siècle Paris. Part 1. The Staircase. Fashioning The Commune Barricade : Zola's Au Bonheur Des Dames -- Ups And Downs, Surface And Spectacle : Rachilde, Maupassant, And Daudet -- Part 2. The Antechamber. Waiting For Change : Zola's Au Bonheur Des Dames And Nana -- Maupassant, Transformation, And The Unexotic Exotic -- Part 3. The Fashion Atelier. Places And Spaces Of Haute Couture : Feydeau's Tailleur Pour Dames And Zola's La Curée -- A Woman's Work(space) : Dressmaking Ateliers In Huysmans's En Ménage And Rachilde's Late-century Novels. Heidi Brevik-zender. Includes Bibliographical References (pages 345-358) And Index. In __Fashioning Spaces__, Heidi Brevik-Zender argues that in the years between 1870 and 1900 the chroniclers of Parisian modernity depicted the urban landscape not just in public settings such as boulevards and parks but also in "dislocations," spaces where the public and the intimate overlapped in provocative and subversive ways. Stairwells, theatre foyers, dressmakers' studios, and dressing rooms were in-between places that have long been overlooked but were actually marked as indisputably modern through their connections with high fashion. __Fashioning Spaces__ engages with and thinks beyond the work of critics Charles Baudelaire and Walter Benjamin to arrive at new readings of the French capital. Cover 1 Copyright 5 Dedication 6 Contents 8 List of Illustrations 10 Acknowledgments 12 Introduction 16 Part One: The Staircase 40 1 Fashioning the Commune Barricade: Zola’s Au Bonheur des Dames 42 2 Ups and Downs, Surface and Spectacle: Rachilde, Maupassant, and Daudet 82 Part Two: The Antechamber 120 3 Waiting for Change: Zola’s Au Bonheur des Dames and Nana 122 4 Maupassant, Transformation, and the Unexotic Exotic 156 Part Three: The Fashion Atelier 188 5 Places and Spaces of Haute Couture: Feydeau’s Tailleur pour dames and Zola’s La Curée 190 6 A Woman’s Work(space): Dressmaking Ateliers in Huysmans’s En Ménage and Rachilde’s Late-Cent 238 Epilogue 283 Notes 290 Bibliography 358 Index 372