Experimental Film and Photochemical Practices (Experimental Film and Artists’ Moving Image)
معرفی کتاب «Experimental Film and Photochemical Practices (Experimental Film and Artists’ Moving Image)» نوشتهٔ Kim Knowles، منتشرشده توسط نشر Springer International Publishing : Imprint: Palgrave Macmillan در سال 2020. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
"This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology."-- Provided by publisher Acknowledgements Contents List of Figures 1 The Matter of Media The New and the Obsolete Reinventing the Medium Photochemical Practices 2 Materials, Materiality, New Materialism Material Bodies Materiality and the Ecological Thought (Re)Visioning the World: The Aesthetic of Contact Material Entanglements The Politics of Representation: Structural/Materialist Film Revisited 3 Process and Perception Earthly Engagements and Radical Landscapes Ecologies of (Small) Things Colour and Chemistry Materialist Action Films 4 From Film Labs to Film Farm: Alternative Communities and Eco-Sensibilities DIY Film Culture Film Farm—The Independent Imaging Retreat A Personal Journey to Mount Forest Crashing Skies and Falling Bodies: Twenty-Five Years of Film Farm Aesthetics Social Ecology and Everyday Utopia 5 Projecting Film, Expanding Cinema The Death (and Rebirth) of Film Projection Reinventing Exhibition Projection as Installation Contemporary Expanded Cinema and the Cinema of Attractions Conclusion: Past Present Future Perfect Bibliography Index
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