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Evolutionary and Biologically Inspired Music, Sound, Art and Design : First International Conference, EvoMUSART 2012, Málaga, Spain, April 11-13, 2012, Proceedings

معرفی کتاب «Evolutionary and Biologically Inspired Music, Sound, Art and Design : First International Conference, EvoMUSART 2012, Málaga, Spain, April 11-13, 2012, Proceedings» نوشتهٔ Rui Filipe Antunes, Frederic Fol Leymarie (auth.), Penousal Machado, Juan Romero, Adrian Carballal (eds.)، منتشرشده توسط نشر Springer-Verlag Berlin Heidelberg. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

This book constitutes the refereed proceedings of the First International Conference on Biologically Inspired Music, Sound, Art and Design, EvoMUSART 2012, held in Málaga, Spain, in April 2012, colocated with the Evo\* 2012 events EuroGP, EvoCOP, EvoBIO, and EvoApplications. Due to its significant growth in the last 10 years, this 10th EvoMUSART event has become an Evo\* conference in 2012. The 15 revised full papers and 5 poster papers presented were carefully reviewed and selected from 43 submissions. They cover a wide range of topics reflecting the current state of research in the field, including theory, generation, computer aided creativity, computational creativity, and automation. Front Matter....Pages - Generative Choreography: Animating in Real-Time Dancing Avatars....Pages 1-10 Aesthetic 3D Model Evolution....Pages 11-22 A Local Search Interface for Interactive Evolutionary Architectural Design....Pages 23-34 Evolving a Library of Artistic Scene Descriptors....Pages 35-47 Evolving Pop Art Using Scalable Vector Graphics....Pages 48-59 Maintaining Population Diversity in Evolutionary Art....Pages 60-71 Populations of Populations: Composing with Multiple Evolutionary Algorithms....Pages 72-83 Fuzzy Rule Based System Ensemble for Music Genre Classification....Pages 84-95 A Computational Environment for the Evolutionary Sound Synthesis of Birdsongs....Pages 96-107 A Platform for Evolving Controllers for Simulated Drawing Robots....Pages 108-116 Learning Comparative User Models for Accelerating Human-Computer Collaborative Search....Pages 117-128 Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used?....Pages 129-140 Interactive Evolution of 8–Bit Melodies with Genetic Programming towards Finding Aesthetic Measures for Sound....Pages 141-152 Investigating Aesthetic Features to Model Human Preference in Evolutionary Art....Pages 153-164 The Traveling Percussionist....Pages 165-175 Genetic Programming for Musical Sound Analysis....Pages 176-186 Expression-Based Evolution of Faces....Pages 187-198 Graph Grammars as a Representation for Interactive Evolutionary 3D Design....Pages 199-210 Polyphonic Transcription: Exploring a Hybrid of Tone Models and Particle Swarm Optimisation....Pages 211-222 Reinforcement Learning and the Creative, Automated Music Improviser....Pages 223-234 Back Matter....Pages - This book constitutes the refereed proceedings of the Second International Conference on Biologically Inspired Music, Sound, Art and Design, EvoMUSART 2013, held in Vienna, Austria, in March 2013, colocated with the Evo* 2013 events EuroGP, EvoCOP, EvoBIO, and EvoApplications. The 11 revised full papers and 5 poster papers presented were carefully reviewed and selected from 36 submissions. They cover a wide range of topics and application areas, including: generative approaches to music, graphics, game content, and narrative; robot gait creation; music information retrieval; computational aesthetics; the mechanics of interactive evolutionary computation; and the art theory of evolutionary computation. Annotation This book constitutes the refereed proceedings of the First International Conference on Biologically Inspired Music, Sound, Art and Design, EvoMUSART 2012, held in Málaga, Spain, in April 2012, colocated with the Evo* 2012 events EuroGP, EvoCOP, EvoBIO, and EvoApplications. Due to its significant growth in the last 10 years, this 10th EvoMUSART event has become an Evo* conference in 2012. The 15 revised full papers and 5 poster papers presented were carefully reviewed and selected from 43 submissions. They cover a wide range of topics reflecting the current state of research in the field, including theory, generation, computer aided creativity, computational creativity, and automation This book constitutes the refereed proceedings of the First International Conference on Biologically Inspired Music, Sound, Art and Design, EvoMUSART 2012, held in Malaga, Spain, in April 2012, colocated with the Evo* 2012 events EuroGP, EvoCOP, EvoBIO, and EvoApplications.
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