یوریپیدس: ایون (متون کلاسیک)

Ion is generally regarded as one of Euripides' most attractive plays. A skilfully organised plot, charming characters, exciting situations and thought-provoking themes make it an excellent introduction to the study of Greek drama generally and of Euripides in particular. The introduction deals with Euripides' adaptation of the myth of Ion, his treatment of the theme of autochthony and his attitude to the seemingly licentious behaviour of Apollo. There is also a discussion of the play's date, its structure, form and language. The commentary is designed to encourage students to read the play in a responsive way and pay attention to matters of form, language and dramatic technique.Greek text with facing translation. he Ion is the shortest, or nearly the shortest, of all the writings which bear the name of Plato, and is not authenticated by any early external testimony. The grace and beauty of this little work supply the only, and perhaps a sufficient, proof of its genuineness. The plan is simple; the dramatic interest consists entirely in the contrast between the irony of Socrates and the transparent vanity and childlike enthusiasm of the rhapsode Ion. The theme of the Dialogue may possibly have been suggested by the passage of Xenophon's Memorabilia in which the rhapsodists are described by Euthydemus as 'very precise about the exact words of Homer, but very idiotic themselves.' (Compare Aristotle, Met.) Ion the rhapsode has just come to Athens; he has been exhibiting in Epidaurus at the festival of Asclepius, and is intending to exhibit at the festival of the Panathenaea. Socrates admires and envies the rhapsode's art; for he is always well dressed and in good company--in the company of good poets and of Homer, who is the prince of them. In the course of conversation the admission is elicited from Ion that his skill is restricted to Homer, and that he knows nothing of inferior poets, such as Hesiod and Archilochus;--he brightens up and is wide awake when Homer is being recited, but is apt to go to sleep at the recitations of any other poet. 'And yet, surely, he who knows the superior ought to know the inferior also;--he who can judge of the good speaker is able to judge of the bad. And poetry is a whole; and he who judges of poetry by rules of art ought to be able to judge of all poetry.' This is confirmed by the analogy of sculpture, painting, flute-playing, and the other arts. The argument is at last brought home to the mind of Ion, who asks how this contradiction is to be solved. "Ion is generally regarded as one of Euripides' most attractive plays. A skilfully organised plot, charming characters, exciting situations and thought-provoking themes make it an excellent introduction to the study of Greek drama generally and of Euripides in particular. The introduction deals with Euripides' adaptation of the myth of Ion, his treatment of the theme of autochthony and his attitude to the seemingly licentious behavior of Apollo. There is also a discussion of the play's date, its structure, form and language. The commentary is designed to encourage students to read the play in a responsive way and pay attention to matters of form, language and dramatic technique." --Book Jacket Euripides ; With Introduction, Translation And Commentary By K.h. Lee ; General Editor, Christopher Collard. Greek And English On Facing Pages. Greek Text Reprinted From The Oxford Classical Texts Edition Of Euripides Fabulae Vol. Ii Edited By J. Diggle (1981), Oxford University Press. Includes Bibliographical References (p. 321-327) And Index. Ion is generally regarded as one of Euripides’ most attractive plays. A skilfully organised plot, charming characters, exciting situations and thought-provoking themes make it an excellent introduction to the study of Greek drama generally and of Euripides in particular. Greek text with facing translation, introduction and commentary. Quo anno acta fuerit Ion fabula incertum.