Equivocal city : French and English novels of postwar Montreal

A fresh approach to Montreal fiction, integrating French and English novels into a common literary history. A fresh approach to Montreal fiction, integrating French and English novels into a common literary history. "The study of Montreal as a specific location in French and English writings has long been subordinated to the demands of linguistically divided and politically contentious narratives about national development. In this cross-linguistic study, Patrick Coleman models an inclusive and post-national literary history of the city itself. Tracing a sequence of moments in the emergence of the Montreal novel from World War II to the turbulent 1960s, Equivocal City offers close readings of fourteen key works of fiction, focusing on the inner dynamic of their construction as well as the unexpected convergences and contrasts in the narrative structures they adopt and the aesthetic perspective they seek to achieve. Critically sophisticated but accessibly written, this book gives a sympathetic account of how writers in both languages struggled to give integrated artistic expression to their experience of a city that was still linguistically compartmentalized and culturally insecure. By analyzing the interplay between story and narrative form, the book explores what French and English novelists could--and could not--imagine about the Montreal they sought to portray. From the responsible realism of Hugh MacLennan and Gabrielle Roy to the fractious phantasmagorias of Jacques Ferron and Leonard Cohen, Equivocal City traces the evolution of the Montreal novel with the aim of retrieving a shareable literary past."-- Provided by publisher The Study Of Montreal As A Specific Location In French And English Writings Has Long Been Subordinated To The Demands Of Linguistically Divided And Politically Contentious Narratives About National Development. In This Cross-linguistic Study, Patrick Coleman Models An Inclusive And Post-national Literary History Of The City Itself. Tracing A Sequence Of Moments In The Emergence Of The Montreal Novel From World War Ii To The Turbulent 1960s, Equivocal City Offers Close Readings Of Fourteen Key Works Of Fiction, Focusing On The Inner Dynamic Of Their Construction As Well As The Unexpected Convergences And Contrasts In The Narrative Structures They Adopt And The Aesthetic Perspective They Seek To Achieve. Critically Sophisticated But Accessibly Written, This Book Gives A Sympathetic Account Of How Writers In Both Languages Struggled To Give Integrated Artistic Expression To Their Experience Of A City That Was Still Linguistically Compartmentalized And Culturally Insecure. By Analyzing The Interplay Between Story And Narrative Form, The Book Explores What French And English Novelists Could – And Could Not – Imagine About The Montreal They Sought To Portray. From The Responsible Realism Of Hugh Maclennan And Gabrielle Roy To The Fractious Phantasmagorias Of Jacques Ferron And Leonard Cohen, Equivocal City Traces The Evolution Of The Montreal Novel With The Aim Of Retrieving A Shareable Literary Past. Cover Copyright Contents Acknowledgments Note on Texts and Translations Introduction Part One Solitude and the City in the 1940s 1 Politics and Promiscuity in Hugh MacLennan’s Two Solitudes 2 Gendered Mediations: Gwethalyn Graham’s Earth and High Heaven 3 Temptation and Tenderness in Gabrielle Roy’s Bonheur d’occasion (The Tin Flute) Part Two Shaky Solidarities: The 1950s 4 Witnesses to Weakness Compassion and Civic Consensus in Fictions of the 1950s 5 A Precarious Maturity Anglophone Satire at the End of the 1950s 6 Failing Better Francophone Novels on the Eve of the Quiet Revolution Part Three Solutions and Dissolutions 7 Twilight of the Idols, Dawnof a New Day Jacques Ferron’s La Nuit (The Night) and Leonard Cohen’s Beautiful Losers Conclusion Notes Bibliography Index