Envisioning "The Tale of Genji" media, gender, and cultural production ; [International Symposium "The Tale of Genji in Japan and the World: Social Imaginary, Media, and Cultural Production", held at Columbia University, New York, on March 25-26, 2005

bringing Together Scholars From Across The World, Haruo Shirane Presents A Fascinating Portrait Of the Tale Of Genji 's Reception And Reproduction Over The Past Thousand Years. The Essays Examine The Canonization Of The Work From The Late Heian Through The Medieval, Edo, Meiji, Taisho, Showa, And Heisei Periods, Revealing Its Profound Influence On A Variety Of Genres And Fields, Including Modern Nation Building. They Also Consider Parody, Pastiche, And Re-creation Of The Text In Various Popular And Mass Media. Since The genji Was Written By A Woman For Female Readers, Contributors Also Take Up The Issue Of Gender And Cultural Authority, Looking At The Novel's Function As A Symbol Of Heian Court Culture And As An Important Tool In Women's Education. Throughout The Volume, Scholars Discuss Achievements In Visualization, From Screen Painting And Woodblock Prints To manga And Anime. Taking Up Such Recurrent Themes As Cultural Nostalgia, Eroticism, And Gender, This Book Is The Most Comprehensive History Of The Reception Of the Tale Of Genji To Date, Both In The Country Of Its Origin And Throughout The World. Preface Acknowledgments Note to the Reader 1. The Tale of Genji and the Dynamics of Cultural Production: Canonization and Popularization, by Haruo Shirane Part I. The Late Heian and Medieval Periods: Court Culture, Gender, and Representation 2. Figure and Facture in the Genji Scrolls: Text, Calligraphy, Paper, and Painting, by Yukio Lippit 3. The Tale of Genji and the Development of Female-Spirit No, by Reiko Yamanaka 4. Monochromatic Genji: The Hakubyo Tradition and Female Commentarial Culture, by Melissa McCormick 5. Genre Trouble: Medieval Commentaries and Canonization of The Tale of Genji, by Lewis Cook Part II. Late Medieval and Edo Periods: Warrior Society, Education, and Popular Culture 6. Didactic Readings of The Tale of Genji: Politics and Women's Education, by Haruki Ii 7. Genji Pictures from Momoyama Painting to Edo Ukiyo-e: Cultural Authority and New Horizons, by Keiko Nakamachi 8. The Splendor of Hybridity: Image and Text in Ryutei Tanehiko's Inaka Genji, by Michael Emmerich Part III. The Meiji, Taisho, and Prewar Showa Periods: National Literature, World Literature, and Imperial Japan 9. The Tale of Genji, National Literature, Language, and Modernism, by Tomi Suzuki 10. Wartime Japan, the Imperial Line, and The Tale of Genji, by Masaaki Kobayashi Part IV. The Postwar Showa and Heisei Periods: Visuality, Sexuality, and Mass Culture 11. The Tale of Genji in Postwar Film: Emperor, Aestheticism, and the Erotic, by Kazuhiro Tateishi 12. Sexuality, Gender, and The Tale of Genji in Modern Japanese Translations and Manga, by Yuika Kitamura Chapter Titles of The Tale of Genji Selected Bibliography on The Tale of Genji and Its Reception in English Contributors Index The Tale of Genji and the dynamics of cultural production: canonization and popularization / Haruo Shirane The late Heian and medieval periods: court culture, gender, and representation Figure and facture in the Genji scrolls: text, calligraphy, paper, and painting / Yukio Lippit The Tale of Genji and the development of female-spirit no / Reiko Yamanaka The Tale of Genji and development of female-spirit no / Reiko Yamanaka Monochromatic Genji: the hakubyo tradition and female commentarial culture / Melissa McCormick Genre trouble: medieval commentaries and canonization of the Tale of Genji / Lewis Cook Late medieval and Edo periods: warrior society, education, and popular culture Didactic readings of the Tale of Genji: politics and women's education / Haruki Li Genji pictures from Momoyama painting to Edo ukiyo-e : cultural authority and new horizons / Keiko Nakamachi The splendor of hybridity: image and text in Ryutei Tanehiko's Inaka Genji / Michael Emmerich The Meiji, Taisho, and prewar Showa periods: National literature, world literature, and Imperial Japan The Tale of Genji, national literature, language, and modernism / Tomi Suzuki Wartime Japan, the Imperial line, and The Tale of Genji / Masaaki Kobayashi The postwar Showa and Heisei periods: visuality, sexuality, and mass culture The Tale of Genji in postwar film: Empeor, aestheticism, and the erotic / Kazuhiro Tateishi Sexuality, gender, and The Tale of Genji in modern Japanese translations and manga / Yuika Kitamura. Bringing together scholars from across the world, Haruo Shirane presents a fascinating portrait of The Tale of Genji 's reception and reproduction over the past thousand years. The essays examine the canonization of the work from the late Heian through the medieval, Edo, Meiji, Taisho, Showa, and Heisei periods, revealing its profound influence on a variety of genres and fields, including modern nation building. They also consider parody, pastiche, and re-creation of the text in various popular and mass media. Since the Genji was written by a woman for female readers, contributors also take up the issue of gender and cultural authority, looking at the novel's function as a symbol of Heian court culture and as an important tool in women's education. Throughout the volume, scholars discuss achievements in visualization, from screen painting and woodblock prints to manga and anime. Taking up such recurrent themes as cultural nostalgia, eroticism, and gender, this book is the most comprehensive history of the reception of The Tale of Genji to date, both in the country of its origin and throughout the world. Presents a portrait of "The Tale of Genji's" reception and reproduction, taking into consideration a wide variety of genres from no plays to Genji paintings to the modern novel. This volume explores the popularization of the Genji, considering parody, pastiche, and re-creation in various popular and mass media.