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Envisioning Others: Race, Color, and the Visual in Iberia and Latin America: Race, Color, and the Visual in Iberia and Latin America

معرفی کتاب «Envisioning Others: Race, Color, and the Visual in Iberia and Latin America: Race, Color, and the Visual in Iberia and Latin America» نوشتهٔ Pamela A. Patton (ed.)، منتشرشده توسط نشر Brill Academic Pub در سال 2016. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

"Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States. Contributed by specialists in Latin American and Iberian art history, literature, history, and cultural studies, its ten chapters take a transnational view of what 'race' meant, and how visual culture supported and shaped this meaning, within the Ibero-American sphere from the late Middle Ages to the modern era. Case studies and regionally-focused essays are balanced by historiographical and theoretical offerings for a fresh perspective that challenges the reader to discern broad intersections of race, color, and the visual throughout the Iberian world. Contributors are Beatriz Balanta, Charlene Villaseñor Black, Larissa Brewer-García, Ananda Cohen Suarez, Elisa Foster, Grace Harpster, Ilona Katzew, Matilde Mateo, Mey-Yen Moriuchi, and Erin Kathleen Rowe"--Provided by publisher Acknowledgements vii List of Illustrations viii List of Contributors xii Introduction: Race, Color, and the Visual in Iberia and Latin America / Pamela A. Patton 1 1. The Black Madonna of Montserrat: An Exception to Concepts of Dark Skin in Medieval and Early Modern Iberia? / Elisa A. Foster 18 2. Visualizing Black Sanctity in Early Modern Spanish Polychrome Sculpture / Erin Kathleen Rowe 51 3. The Color of Salvation: The Materiality of Blackness in Alonso de Sandoval’s 'De instauranda Aethiopum salute' / Grace Harpster 83 4. Imagined Transformations: Color, Beauty, and Black Christian Conversion in Seventeenth-Century Spanish America / Larissa Brewer-García 111 5. White or Black? Albinism and Spotted Blacks in the Eighteenth-Century Atlantic World / Ilona Katzew 142 6. Making Race Visible in the Colonial Andes / Ananda Cohen Suarez 187 7. From Casta to Costumbrismo: Representations of Racialized Social Spaces / Mey-Yen Moriuchi 213 8. Tropical Dreams: Promoting Brazil in Nineteenth-Century US Media / Beatriz E. Balanta 241 9. The Form of Race: Architecture, Epistemology, and National Identity in Fernando Chueca Goitia’s 'Invariantes castizos de la arquitectura española' (1947) / Matilde Mateo 266 10. Race and the Historiography of Colonial Art / Charlene Villaseñor Black 303 Selected Bibliography 323 Index 362 "Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States. Contributed by specialists in Latin American and Iberian art history, literature, history, and cultural studies, its ten chapters take a transnational view of what 'race' meant, and how visual culture supported and shaped this meaning, within the Ibero-American sphere from the late Middle Ages to the modern era. Case studies and regionally-focused essays are balanced by historiographical and theoretical offerings for a fresh perspective that challenges the reader to discern broad intersections of race, color, and the visual throughout the Iberian world. Contributors are Beatriz Balanta, Charlene Villaseñor Black, Larissa Brewer-García, Ananda Cohen Suarez, Elisa Foster, Grace Harpster, Ilona Katzew, Matilde Mateo, Mey-Yen Moriuchi, and Erin Kathleen Rowe"--Provided by publisher "Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States. Contributed by specialists in Latin American and Iberian art history, literature, history, and cultural studies, its ten chapters take a transnational view of what 'race' meant, and how visual culture supported and shaped this meaning, within the Ibero-American sphere from the late Middle Ages to the modern era. Case studies and regionally-focused essays are balanced by historiographical and theoretical offerings for a fresh perspective that challenges the reader to discern broad intersections of race, color, and the visual throughout the Iberian world. Contributors are Beatriz Balanta, Charlene Villasenõr Black, Larissa Brewer-Garciá, Ananda Cohen Suarez, Elisa Foster, Grace Harpster, Ilona Katzew, Matilde Mateo, Mey-Yen Moriuchi, and Erin Kathleen Rowe"--Provided by publisher
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