English literary afterlives : Greene, Sidney, Donne and the evolution of posthumous fame
معرفی کتاب «English literary afterlives : Greene, Sidney, Donne and the evolution of posthumous fame» نوشتهٔ Chaghafi, Elisabeth، منتشرشده توسط نشر Manchester University Press در سال 2019. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
__English Literary Afterlives__ is a study about the ways in which readers and publishers reshaped (or even created) early modern authorial careers in the wake of the authors’ deaths. Through a series of case-studies it presents a counter-narrative to the established idea of authorial self-fashioning. English Literary Afterlives traces life narratives of early modern authors created for them after their deaths by readers or publishers, who retrospectively tried to make sense of the author's life and works. In a series of case-studies of the reception history of major poets - Sidney, Spenser, Donne, Herbert, as well as Robert Greene, the first 'celebrity author' - within a generation of their deaths, it shows how those authors were posthumously fashioned and refashioned. It argues that during the early modern period there is a gradual movement towards biographical readings that attempt to find the author in the works, which in turn led to the emergence of written lives that consider poets not in terms of their 'public' lives but in terms of their poetic activity, i.e. the beginnings of literary biography. Will be of interest to students and scholars of several canonical early modern authors Front Matter Contents List of figures Acknowledgements Introduction The complete author The posthumous career of Robert Greene ‘Borne in Arcady’: Sidney’s literary rebirth Interlude: ‘After I am dead and rotten’ – Spenser’s missing afterlife Walton’s literary Lives: from Donne to Herbert Conclusion: brief lives and lives of the poets Bibliography Index English Literary Afterlives is a study about the ways in which readers and publishers reshaped (or even created) early modern authorial careers in the wake of the authors’ deaths. Through a series of case-studies it presents a counter-narrative to the established idea of authorial self-fashioning. -- .
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