Enchantment: On Charisma And The Sublime In The Arts Of The West (haney Foundation Series)

What is the force in art, C. Stephen Jaeger asks, that can enter our consciousness, inspire admiration or imitation, and carry a reader or viewer from the world as it is to a world more sublime? We have long recognized the power of individuals to lead or enchant by the force of personal charisma—and indeed, in his award-winning __Envy of Angels__, Jaeger himself brilliantly parsed the ability of charismatic teachers to shape the world of medieval learning. In __Enchantment__, he turns his attention to a sweeping and multifaceted exploration of the charisma not of individuals but of art. For Jaeger, the charisma of the visual arts, literature, and film functions by creating an exalted semblance of life, a realm of beauty, sublime emotions, heroic motives and deeds, godlike bodies and actions, and superhuman abilities, so as to dazzle the humbled spectator and lift him or her up into the place so represented. Charismatic art makes us want to live in the higher world that it depicts, to behave like its heroes and heroines, and to think and act according to their values. It temporarily weakens individual will and rational critical thought. It brings us into a state of enchantment. Ranging widely across periods and genres, __Enchantment__ investigates the charismatic effect of an ancient statue of Apollo on the poet Rilke, of the painter Dürer's self-portrayal as a figure of Christ-like magnificence, of a numinous Odysseus washed ashore on Phaeacia, and of the black-and-white projection of Fred Astaire dancing across the Depression-era movie screen. From the tattoos on the face of a Maori tribesman to the haunting visage of Charlotte Rampling in a film by Woody Allen, Jaeger's extraordinary book explores the dichotomies of reality and illusion, life and art that are fundamental to both cultic and aesthetic experience.

What is the force in art, C. Stephen Jaeger asks, that can enter our consciousness, inspire admiration or imitation, and carry a reader or viewer from the world as it is to a world more sublime? We have long recognized the power of individuals to lead or enchant by the force of personal charisma—and indeed, in his award-winning Envy of Angels, Jaeger himself brilliantly parsed the ability of charismatic teachers to shape the world of medieval learning. In Enchantment, he turns his attention to a sweeping and multifaceted exploration of the charisma not of individuals but of art.

For Jaeger, the charisma of the visual arts, literature, and film functions by creating an exalted semblance of life, a realm of beauty, sublime emotions, heroic motives and deeds, godlike bodies and actions, and superhuman abilities, so as to dazzle the humbled spectator and lift him or her up into the place so represented. Charismatic art makes us want to live in the higher world that it depicts, to behave like its heroes and heroines, and to think and act according to their values. It temporarily weakens individual will and rational critical thought. It brings us into a state of enchantment.

Ranging widely across periods and genres, Enchantment investigates the charismatic effect of an ancient statue of Apollo on the poet Rilke, of the painter Dürer's self-portrayal as a figure of Christ-like magnificence, of a numinous Odysseus washed ashore on Phaeacia, and of the black-and-white projection of Fred Astaire dancing across the Depression-era movie screen. From the tattoos on the face of a Maori tribesman to the haunting visage of Charlotte Rampling in a film by Woody Allen, Jaeger's extraordinary book explores the dichotomies of reality and illusion, life and art that are fundamental to both cultic and aesthetic experience.

"What is the force in art, C. Stephen Jaeger asks, that can enter our consciousness, inspire admiration or imitation, carry a reader or viewer from the world as it is to a world more sublime? We have long recognized the power of individuals to lead or enchant by the force of personal charisma - and indeed, in his award-winning Envy of Angels, Jaeger himself brilliantly parsed the ability of charismatic teachers to shape the world of medieval learning. In Enchantment, he turns his attention to a sweeping and multifaceted exploration of the charisma not of individuals but of art. For Jaeger, the charisma of the visual arts, literature, and film functions by creating an exalted semblance of life, a realm of beauty, sublime emotions, heroic motives and deeds, godlike bodies and actions, and superhuman abilities, so as to dazzle the humbled spectator and lift him or her up into the place so represented. Charismatic art makes us want to live in the higher world that it depicts, to behave like its heroes and heroines, and to think and act according to their values. It temporarily weakens individual will and rational critical thought. It brings us into a state of enchantment. Ranging widely across periods and genres, Enchantment investigates the charismatic effect of an ancient statue of Apollo on the poet Rilke, of the painter Dürer's self-portrayal as a figure of Christ-like magnificence, of a numinous Odysseus washed ashore on Phaeacia, and of the black-and-white projection of Fred Astaire dancing across the Depression-era movie screen. From the tattoos on the face of a Maori tribesman to the haunting visage of Charlotte Rampling in a film by Woody Allen, Jaeger's extraordinary book explores the dichotomies of reality and illusion, life and art that are fundamental to both cultic and aesthetic experience."--Project Muse CONTENTS Introduction 1. Charisma and Art 2. Living Art and Its Surrogates: The Genesis of Charismatic Art 3. Odysseus Rising: The Homeric World 4. Icon and Relic 5. Charismatic Culture and Its Media: Gothic Sculpture and Medieval Humanism 6. Romance and Adventure 7. Albrecht Durer’s Self-Portrait (1500): The Face and Its Contents 8. Book Burning at Don Quixote’s 9. Goethe’s Faust and the Limits of the Imagination 10. The Statue Changes Rilke’s Life 11. Grand Illusions: Classic American Cinema 12. Lost Illusions: American Neorealism and Hitchcock’s Vertigo 13. Woody Allen: Allan Felix’s Glasses and Cecilia’s Smile Conclusion Notes Index Acknowledgments This book examines charisma as the force in art, literature, and film that engages the reader's or viewer's consciousness and inspires admiration and imitation. Thirteen chapters analyze the workings of charisma and its effects, ranging from Homer to Woody Allen. This book examines charisma as the force in art, literature, and film that engages the reader's or viewer's consciousness and inspires admiration and imitation. Thirteen chapters analyze the workings of charisma and its effects, ranging from Homer to Woody Allen. Biographical note: C. Stephen Jaeger is Gutsgell Professor Emeritus in the Departments of Germanic Languages and Literatures and Comparative Literature at the University of Illinois at Urbana-Champaign. He is the author of The Envy of Angels: Cathedral Schools and Social Ideals in Medieval Europe, 950-1200, winner of the 1995 Jacques Barzun Prize in Cultural History, and Ennobling Love: In Search of a Lost Sensibility, both of which are available from the University of Pennsylvania Press