Empty Mansions : The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune

**#1 __NEW YORK TIMES__ BESTSELLER**When Pulitzer Prize__–__winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. __Empty Mansions__ is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the __Titanic__. __Empty Mansions__ reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, __Empty Mansions__ is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms.**Praise for __Empty Mansions__** “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”**—__The New York Times__** “A fascinating investigation into the haunting true-life tale of reclusive heiress Huguette Clark.”**—__People__**“An exhaustively researched, well-written account . . . a blood-boiling expose [that] will make you angry and will make you sad.”**—__The Seattle Times__** “An evocative and rollicking read, part social history, part hothouse mystery, part __grand guignol__.”**—__The Daily Beast__** “A childlike, self-exiled eccentric, [Huguette Clark] is the sort of of subject susceptible to a biography of broad strokes, which makes __Empty Mansions,__ the first full-length account of her life, impressive for its delicacy and depth.”**—__Town & Country__** #1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch Look for special features inside. Join the Random House Reader's Circle for author chats and more. When Pulitzer Prize-winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark's cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette's copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions "An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity."--The New York Times "An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol."--The Daily Beast "Fascinating . . . [a] haunting true-life tale."--People "One of those incredible stories that you didn't even know existed. It filled a void."--Jon Stewart, The Daily Show "Thrilling . . . deliciously scandalous."--Publishers Weekly (starred review) From the Trade Paperback edition #1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times St. Louis Post-Dispatch Look for special features inside. Join the Random House Reader's Circle for author chats and more. When Pulitzer Prize -- winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark's cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W.A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic . Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette's copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions "An amazing story of profligate wealth ... an outsized tale of rags-to-riches prosperity."--The New York Times "An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol ."--The Daily Beast "Fascinating ... [a] haunting true-life tale." -- People "One of those incredible stories that you didn't even know existed. It filled a void." --Jon Stewart, The Daily Show "Thrilling ... deliciously scandalous." -- Publishers Weekly (starred .. #1 NEW YORK TIMES BESTSELLER When Pulitzer Prize – winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic . Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.” — The New York Times “An exhaustively researched, well-written account . . . a blood-boiling expose [that] will make you angry and will make you sad.” — The Seattle Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol .” — The Daily Beast “A childlike, self-exiled eccentric, [Huguette Clark] is the sort of of subject susceptible to a biography of broad strokes, which makes Empty Mansions, the first full-length account of her life, impressive for its delicacy and depth.” — Town & Country When Pulitzer Prize winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clarks cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic . Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguettes copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. The No. 1 New York Times bestseller. Best nonfiction books of the year at Goodreads, Amazon.com, and Barnes & Noble. One of the New York Times critic Janet Maslin's 10 favorite books of 2013. #1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize – winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic . Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. "When Pulitzer Prize-winning journalist Bill Dedman noticed a property listing for a grand estate that had been unoccupied for nearly sixty years, he stumbled into one of the most surprising American stories of the nineteenth and twentieth centuries. Empty Mansions is a rich tale of wealth and loss, complete with copper barons, Gilded Age opulence, and backdoor politics. At its heart is a reclusive 104-year-old heiress named Huguette Clark. Dedman has collaborated with Huguette's cousin, Paul Clark Newell, Jr., one of the few relatives to have had frequent conversations with her, to tell a fairy tale in reverse: the bright, talented daughter who is born into an almost royal family of amazing wealth and privilege, yet who secrets herself away from the outside world. Empty Mansions reveals a complete picture of the enigmatic Huguette Clark, heiress to one of the greatest fortunes in American history, a woman who had not been photographed in public since the 1920s. Though she owned three palatial homes in California, New York, and Connecticut, they sat vacant while she lived out her final two decades in a New York City hospital room, despite being in excellent health. Her father was self-made copper industrialist W. A. Clark, who at the dawn of the twentieth century was one of the richest men in America. Huguette's inheritance afforded her untold luxury: gorgeous paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls, lavish gifts for her friends, the freedom to pursue her own work as an artist, and, most important, the privacy she valued above all else. The Clark family story takes the reader nearly the entire span of American history in just three generations. The same Huguette who held a ticket for the return trip of the Titanic was touched by the terror attacks of 9/11. In this scrupulously detailed account, we meet Huguette's extravagant father, her publicity-shy mother, her star-crossed sister, her noble French boyfriend, the nurse who received more than $30 million in gifts, and the relatives seeking to inherit Huguette's $300 million fortune. Richly illustrated with more than seventy photographs, some never before seen, Empty Mansions is a touching story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms"-- Provided by publisher Scope and content: "When Pulitzer Prize-winning journalist Bill Dedman noticed a property listing for a grand estate that had been unoccupied for nearly sixty years, he stumbled into one of the most surprising American stories of the nineteenth and twentieth centuries. Empty Mansions is a rich tale of wealth and loss, complete with copper barons, Gilded Age opulence, and backdoor politics. At its heart is a reclusive 104-year-old heiress named Huguette Clark. Dedman has collaborated with Huguette's cousin, Paul Clark Newell, Jr., one of the few relatives to have had frequent conversations with her, to tell a fairy tale in reverse: the bright, talented daughter who is born into an almost royal family of amazing wealth and privilege, yet who secrets herself away from the outside world. Empty Mansions reveals a complete picture of the enigmatic Huguette Clark, heiress to one of the greatest fortunes in American history, a woman who had not been photographed in public since the 1920s. Though she owned three palatial homes in California, New York, and Connecticut, they sat vacant while she lived out her final two decades in a New York City hospital room, despite being in excellent health. Her father was self-made copper industrialist W.A. Clark, who at the dawn of the twentieth century was one of the richest men in America. Huguette's inheritance afforded her untold luxury: gorgeous paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls, lavish gifts for her friends, the freedom to pursue her own work as an artist, and, most important, the privacy she valued above all else. The Clark family story takes the reader nearly the entire span of American history in just three generations. The same Huguette who held a ticket for the return trip of the Titanic was touched by the terror attacks of 9/11. In this scrupulously detailed account, we meet Huguette's extravagant father, her publicity-shy mother, her star-crossed sister, her noble French boyfriend, the nurse who received more than $30 million in gifts, and the relatives seeking to inherit Huguette's $300 million fortune. Richly illustrated with more than seventy photographs, some never before seen, Empty Mansions is a touching story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms" When Pulitzer Prize--winning investigative journalist Bill Dedman noticed a real estate listing for a grand estate in Connecticut that had sat empty for nearly sixty years, he had no idea that he was stumbling onto one of the most surprising American stories of the nineteenth and twentieth centuries--complete with copper barons, Gilded Age opulence, backdoor politics, and a reclusive 104-year-old heiress. Empty Mansions explores the fascinating life of Huguette Clark, an enigmatic figure who had not been photographed in public since the 1920s. Though she owned three palatial homes in California, New York, and Connecticut, they sat vacant while she lived out her final two decades in a New York City hospital, despite being in excellent health. Dedman and Huguette's cousin, Paul Clark Newell, Jr., one of the few relatives to have had frequent conversations with Huguette, present a fairy tale told in reverse: a daughter born into privilege who in time... Family Tree Introduction: House Hunting An Apparition Time Capsule The Clark Mansion, Part One The Log Cabin The Copper King Mansion The U.S. Capitol The Clark Mansion, Part Two 907 Fifth Avenue, Part One 907 Fifth Avenue, Part Two Bellosguardo Le Beau Château Doctors Hospital Beth Israel Medical Center Woodlawn Cemetery Surrogate's Courthouse Epilogue: The Cricket Authors' Note List of Illustrations Appendix: Siblings of W.A. Clark Appendix: Inflation Adjustment. The rich mystery of a reclusive, eccentric heiress Huguette Clark: a true story of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance.