Empire's Wake: Postcolonial Irish Writing and the Politics of Modern Literary Form by Mark Quigley (2013) Hardcover

Shedding new light on the rich intellectual and political milieux shaping the divergent legacies of Joyce and Yeats, Empire's Wake traces how a distinct postcolonial modernism emerged within Irish literature in the late 1920s to contest and extend key aspects of modernist thought and aesthetic innovation at the very moment that the high modernist literary canon was consolidating its influence and prestige. By framing its explorations of postcolonial narrative form against the backdrop of distinct historical moments from the Irish Free State to the Celtic Tiger era, the book charts the different phases of 20th-century postcoloniality in ways that clarify how the comparatively early emergence of the postcolonial in Ireland illuminates the formal shifts accompanying the transition from an age of empire to one of globalization. Bringing together new perspectives on Beckett and Joyce with analyses of the critically neglected works of Sean O'Faoláin, Frank McCourt, and the Blasket autobiographers, Empire's Wake challenges the notion of a singular "global modernism" and argues for the importance of critically integrating the local and the international dimensions of modernist aesthetics. Though Irish contributions to literary modernism are well known, Irish modernism tends to be framed through narrow treatments of Joyce, Yeats, and the Revival as “cosmopolitan” writers detached from a wider Irish intellectual and cultural history and a consideration of Irish literature’s role in modernism’s ongoing development. Empire’s Wake significantly broadens conventional understandings of Irish modernism and postmodernism by tracing how a distinctly postcolonial late modernism emerges within Irish literature between the late 1920s and the 1950s to contest and extend key aspects of modernist thought and aesthetic innovation at the very moment that high modernism is consolidating its influence and prestige. Countering critical portraits of the era as one of aesthetic stagnation, the book argues that a late modernist sensibility animates postcolonial Irish writing across a range of literary registers running from the Gaelic autobiographies of the remote Blasket Islands to Samuel Beckett’s radical re-imaginings of the modern novel. Continuing, then, to resituate Irish modernism and postmodernism within the contexts of the lively political, intellectual, and cultural debates marking Irish postcoloniality’s distinct phases from the 1920s to the 1990s “Celtic Tiger” era, the book draws on the work of Samuel Beckett, Sean O’Faoláin, Frank McCourt and the Blasket autobiographers to complicate and enhance our assessments of the legacies of Joyce and the Revival and challenge conventional notions of a singular “global modernism” emerging in the aftermath of empire

Shedding new light on the rich intellectual and political milieux shaping the divergent legacies of Joyce and Yeats, Empire's Wake traces how a distinct postcolonial modernism emerged within Irish literature in the late 1920s to contest and extend key aspects of modernist thought and aesthetic innovation at the very moment that the high modernist literary canon was consolidating its influence and prestige.

By framing its explorations of postcolonial narrative form against the backdrop of distinct historical moments from the Irish Free State to the Celtic Tiger era, the book charts the different phases of 20th-century postcoloniality in ways that clarify how the comparatively early emergence of the postcolonial in Ireland illuminates the formal shifts ccompanying the transition from an age of empire to one of globalization.

Bringing together new perspectives on Beckett and Joyce with analyses of the critically neglected works of Sean O'Faolain, Frank McCourt, and the Blasket autobiographers, Empire's Wake challenges the notion of a singular "global modernism" and argues for the importance of critically integrating the local and the international dimensions of modernist aesthetics.

Introduction. Rerouting Irish modernism: postcolonial aesthetics and the imperative of cosmopolitanism Modernity's edge: speaking silence on the blaskets Seán O'Faoláin and the end of republican realism Unnaming the subject: Samuel Beckett and postcolonial absence Postmodern blaguardry: Frank McCourt, the celtic tiger, and the ashes of history Conclusion. Dispatches from the modernist frontier: European and Asiatic papers. Traces development of Irish literary modernism from the 1920s to the 1990s through the writings of James Joyce, John Millington Synge, Samuel Beckett, Sean O’Faolain, Frank McCourt, and the Blasket Island autobiographers, Tomas O’Crohan and Maurice O’Sullivan. Considers Irish literature in relation to Irish nationalism and aftermath of British empire. Shedding light on the intellectual and political milieux shaping the divergent legacies of Joyce and Yeats, this book traces how a distinct postcolonial modernism emerged within Irish literature in the late 1920s to contest and extend key aspects of modernist thought and aesthetic innovation