Edge

Edge begins with a massive & catastrophic shifting of the San Andreas fault. The fears of California someday tumbling into the sea--that have become the stuff of parody--become real. But even the terror resulting from this catastrophe pales in comparison to the understanding behind its happening, a cataclysm extending beyond mankind's understanding of horror as it had previously been known. The world is falling apart because things are out of joint at the quantum level, about which of course there's never been any guarantee that everything has to remain stable. Koji Suzuki returns to the genre he's most famous for after many years of "not wanting to write any more horror." As expected from Suzuki, the chills are of a more cerebral,psychological sort, arguably more unsettling & scary than the slice-and-dice gore fests that horror has become known in the U.S. Never content to simply do "Suzuki"--as it were--but rather push the envelope on what horror is in general & for which readers have come to know him, Edge borders on being cutting-edge science fiction. The author himself terms this novel, which he has worked on for some years, a work of "quantum horror." Suzuki Kōji (鈴木光司) is a Japanese writer, who was born in Hamamatsu & currently lives in Tokyo. Suzuki is the author of the Ring novels, which has been adapted into a manga series. He has written several books on the subject of fatherhood. He is currently on the selection committee for the Japan Fantasy Novel Award. Edge begins with a massive and catastrophic shifting of the San Andreas fault. The fears of California someday tumbling into the sea--that have become the stuff of parody--become real. But even the terror resulting from this catastrophe pales in comparison to the understanding behind its happening, a cataclysm extending beyond mankind's understanding of horror as it had previously been known. The world is falling apart because things are out of joint at the quantum level, about which of course there's never been any guarantee that everything has to remain stable. Koji Suzuki returns to the genre he's most famous for after many years of "not wanting to write any more horror." As expected from Suzuki, the chills are of a more cerebral, psychological sort, arguably more unsettling and scary than the slice-and-dice gore fests that horror has become known in the U.S. Never content to simply do "Suzuki"--as it were--but rather push the envelope on what horror is in general and for which readers have come to know him, Edge City borders on being cutting-edge science fiction. The author himself terms this novel, which he has worked on for some years, a work of "quantum horror." A massive earthquake that thrusts California into the sea is just the beginning of the horrors that unfold as quantum physics' instability rears its head