اکولوژی و ادبیات چپ بریتانیا: سرخ و سبز

Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H. G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside. Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H.G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside. -- Provided by publisher Cover Contents Notes on Contributors Acknowledgements Introduction: The Red and the Green 1 Contemporary Ecocriticism between Red and Green 2 Was Coleridge Green? 3 ‘Wastes of corn’: Changes in Rural Land Use in Wordsworth’s Early Poetry 4 John Clare’s Weeds 5 John Clare & ... & ... & ... Deleuze and Guattari’s Rhizome 6 Graeco-Roman Pastoral and Social Class in Arthur Hugh Clough’s Bothie and Thomas Hardy’s Under The Greenwood Tree 7 Landscape, Labour and History in Later Nineteenth-Century Writing 8 Fallen Nature: Ruskin’s Political Apocalypse 9 William Morris and the Garden City 10 H.G. Wells, Fabianism and the ‘Shape of Things to Come’ 11 Guardianship and Fellowship: Radicalism and the Ecological Imagination 1880–1940 12 Felled Trees—Fallen Soldiers 13 Marxist Cricket? Some Versions of Pastoral in the Poetry of the Thirties 14 Eco-anarchism, the New Left and Romanticism 15 A Huge Lacuna vis-à-vis the Peasants: Red and Green in John Berger’s Trilogy Into Their Labours 16 Green Links: Ecosocialism and Contemporary Scottish Writing Bibliography Index Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. It explores the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Burnside. This collection offers readings in the ecology of left and radical writing from the Romantic period to the present. In historicising and connecting environmentally aware literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from John Clare to John Berger