Early Modern Zoology: The Construction of Animals in Science, Literature and the Visual Arts (Set 2 Volumes) (Intersections)

Ранняя современная зоология: животные в области науки, литературы и изобразительного искусства .Художественный прогресс в живописи и рисунка привел к точности изображения животных в иллюстрациях.Сборник представляет интерес для студентов изучающих историю науки , литературы и искусства .The new definition of the animal is one of the fascinating features of the intellectual life of the early modern period. The sixteenth century saw the invention of the new science of zoology. This went hand in hand with the (re)discovery of anatomy, physiology and – in the 17th century – the invention of the microscope. The discovery of the new world confronted intellectuals with hitherto unknown species, which found their way into courtly menageries, curiosity cabinets and academic collections. Artistic progress in painting and drawing brought about a new precision of animal illustrations. In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, History of Science, Art History) explore the fascinating early modern discourses on animals in science, literature and the visual arts. The volume is of interest for all students of the history of science and intellectual life, of literature and art history of the Early Modern Period. CONTENTS ......Page 6 List of Illustrations......Page 10 Notes on the Editors......Page 24 List of Contributors......Page 26 Introduction (Karl A.E. Enenkel – Paul J. Smith)......Page 30 Colour Plates......Page 42 ZOOLOGY: THE CONSTRUCTION OF AN EARLY MODERN SCIENCE......Page 74 Zur Konstituierung der Zoologie als Wissenschaft in der Frühen Neuzeit: Diskursanalyse zweier Großprojekte (Wotton, Gesner) (Karl A.E. Enenkel)......Page 76 On Toucans and Hornbills: Readings in Early Modern Ornithology from Belon to Buffon (Paul J. Smith)......Page 136 Biology and Theology in Franzius's Historia animalium sacra (1612) (Vibeke Roggen)......Page 182 Between Emblematics and the 'Argument from Design': The Representation of Insects in the Dutch Republic (Eric Jorink)......Page 208 Shell Collecting. On 17th-Century Conchology, Curiosity Cabinets and Still Life Painting (Karin Leonhard)......Page 238 THE CONSTRUCTION OF THE ANIMAL IN ZOOLOGICAL ILLUSTRATIONS......Page 276 In minimis maxime conspicua. Insektendarstellungen um 1600 und die Anfänge der Entomologie (Thea Vignau-Wilberg)......Page 278 Curious Fish: Connections between some Sixteenth-Century Watercolours and Prints (Florike Egmond)......Page 306 From Brazil to Europe: the Zoological Drawings of Albert Eckhout and Georg Marcgraf (Rebecca P. Brienen)......Page 334 THE CONSTRUCTION OF THE ANIMAL IN ITS EARLY MODERN USE AND ABUSE......Page 384 Making and Breaking the Stag: The Construction of the Animal in the Early Modern Hunting Treatise (Suzanne J. Walker)......Page 386 (Un)Stable Identities: Hippology and the Professionalization of Scholarship and Horsemanship in Early Modern Germany (Pia F. Cuneo)......Page 408 'A Remedy for his Beast': Popular Veterinary Texts in Early Modern England (Louise Hill Curth)......Page 430 Dehumanised Sinners and their Instruments of Sin: Men and Animals in Early Modern Bestiality Cases, Austria 1500–1800 (Susanne Hehenberger)......Page 450 Renaissance Menageries. Exotic Animals and Pets at the Habsburg Courts in Iberia and Central Europe (Almudena Pérez de Tudela – Annemarie Jordan Gschwend)......Page 488 THE CONSTRUCTION OF THE ANIMAL IN LITERATURE AND IN THE VISUAL ARTS......Page 518 Noah's Ark Disembarked in Holland: Animals in Dutch Poetry, 1500–1700 (Johan Koppenol)......Page 520 Octopuses, Foxes and Hares: Animals in Early Modern Latin and German Proverbs (Franziska Schnoor)......Page 598 A Zoological Emblem Book: Willem van der Borcht's Sedighe Sinne-beelden (1642) (Vincent Buyens)......Page 616 Faire le beau pour faire la paix: Considérations sur les bêtes dressées de Joseph Boillot (1592) (Paulette Choné)......Page 636 Life and Death in the Northern European Game Piece (Sarah R. Cohen)......Page 672 Index Nominum......Page 710 The new definition of the animal is one of the fascinating features of the intellectual life of the early modern period. The sixteenth century saw the invention of the new science of zoology. This went hand in hand with the (re)discovery of anatomy, physiology and – in the seventeenth century – the invention of the microscope. The discovery of the new world confronted intellectuals with hitherto unknown species, which found their way into courtly menageries, curiosity cabinets and academic collections. Artistic progress in painting and drawing brought about a new precision of animal illustrations. In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, history of science, art history) explore the fascinating early modern discourses on animals in science, literature and the visual arts. The volume is of interest for all students of the history of science and intellectual life, of literature and art history of the early modern period.Contributors include Rebecca Parker Brienen, Paulette Choné, Sarah Cohen, Pia Cuneo, Louise Hill Curth, Florike Egmond, Karl A.E. Enenkel, Susanne Hehenberger, Annemarie Jordan-Gschwendt, Erik Jorink, Johan Koppenol, Almudena Perez de Tudela, Vibeke Roggen, Franziska Schnoor, Paul J. Smith, Thea Vignau-Wilberg, and Suzanne J. Walker. The new definition of the animal is one of the fascinating features of the intellectual life of the early modern period. The sixteenth century saw the invention of the new science of zoology. This went hand in hand with the (re)discovery of anatomy, physiology and - in the 17th century - the invention of the microscope. The discovery of the new world confronted intellectuals with hitherto unknown species, which found their way into courtly menageries, curiosity cabinets and academic collections. Artistic progress in painting and drawing brought about a new precision of animal illustrations. In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, History of Science, Art History) explore the fascinating early modern discourses on animals in science, literature and the visual arts. The volume is of interest for all students of the history of science and intellectual life, of literature and art history of the Early Modern Period. Contributors include Rebecca Parker Brienen, Paulette Chone, Sarah Cohen, Pia Cuneo, Louise Hill Curth, Florike Egmond, Karl A.E. Enenkel, Susanne Hehenberger, Annemarie Jordan-Gschwendt, Erik Jorink, Johan Koppenol, Almudena Perez de Tudela, Vibeke Roggen, Franziska Schnoor, Paul J. Smith, Thea Vignau-Wilberg, and Suzanne J. Walker. V. 1. Zoology : Construction Fo An Early Modern Science. Construction Of The Animal In Zoological Illustrations. -- V. 2. Construction Of The Animal In Its Early Modern Use And Abuse. Construction Of The Animal In Literature And The Visual Arts. Edited By Karl A.e. Enenkel And Paul J. Smith. Includes Bibliographical References And Index.