Domestic Negotiations: Gender, Nation, and Self-Fashioning in US Mexicana and Chicana Literature and Art (Latinidad: Transnational Cultures in the United States)

This interdisciplinary study explores how US Mexicana and Chicana authors and artists across different historical periods and regions use domestic space to actively claim their own histories. Through “negotiation”—a concept that accounts for artistic practices outside the duality of resistance/accommodation—and “self-fashioning,” Marci R. McMahon demonstrates how the very sites of domesticity are used to engage the many political and recurring debates about race, gender, and immigration affecting Mexicanas and Chicanas from the early twentieth century to today. __Domestic Negotiations__ covers a range of archival sources and cultural productions, including the self-fashioning of the “chili queens” of San Antonio, Texas, Jovita González’s romance novel __Caballero__, the home economics career and cookbooks of Fabiola Cabeza de Baca, Sandra Cisneros’s “purple house controversy” and her acclaimed text __The House on Mango Street__, Patssi Valdez’s self-fashioning and performance of domestic space in Asco and as a solo artist, Diane Rodríguez’s performance of domesticity in Hollywood television and direction of domestic roles in theater, and Alma López’s digital prints of domestic labor in Los Angeles. With intimate close readings, McMahon shows how Mexicanas and Chicanas shape domestic space to construct identities outside of gendered, racialized, and xenophobic rhetoric. This Interdisciplinary Study Explores How Us Mexicana And Chicana Authors And Artists Across Different Historical Periods And Regions Use Domestic Space To Actively Claim Their Own Histories. Through Negotiation--a Concept That Accounts For Artistic Practices Outside The Duality Of Resistance/accommodation--and Self-fashioning, Marci R. Mcmahon Demonstrates How The Very Sites Of Domesticity Are Used To Engage The Many Political And Recurring Debates About Race, Gender, And Immigration Affecting Mexicanas And Chicanas From The Early Twentieth Century To Today. Domestic Negotiations Covers A Range Of Archival Sources And Cultural Productions, Including The Self-fashioning Of The Chili Queens Of San Antonio, Texas, Jovita González's Romance Novel Caballero, The Home Economics Career And Cookbooks Of Fabiola Cabeza De Baca, Sandra Cisneros's Purple House Controversy And Her Acclaimed Text The House On Mango Street, Patssi Valdez's Self-fashioning And Performance Of Domestic Space In Asco And As A Solo Artist, Diane Rodríguez's Performance Of Domesticity In Hollywood Television And Direction Of Domestic Roles In Theater, And Alma López's Digital Prints Of Domestic Labor In Los Angeles. With Intimate Close Readings, Mcmahon Shows How Mexicanas And Chicanas Shape Domestic Space To Construct Identities Outside Of Gendered, Racialized, And Xenophobic Rhetoric.--publisher's Website. Part I. Domestic Power. The Chili Queens Of San Antonio: Challenging Domestication Through Street Vending And Fashion ; Claiming Domestic Space In The Us-mexico Borderlands: Jovita González And Eve Raleigh's Caballero And Cleofas Jaramillo's Romance Of A Little Village Girl ; Domestic Power Across Borders: Fabiola Cabeza De Baca's Home Economics Work In New Mexico And Mexico. -- Part Ii. Domesticana. Postnationalist And Domesticana Strategies: Sandra Cisneros's The House On Mango Street And Carmen Lomas Garza's Familias ; Patssi Valdez's A Room Of One's Own: Self-fashioning, Glamour, And Domesticity In The Museum And Hollywood ; Redirecting Chicana/latina Representation: Diane Rodríguez's Performance And Staging Of The Domestic. -- Epilogue: Denaturalizing The Domestic. Marci R. Mcmahon. Includes Bibliographical References And Index. Winner of the 2014 NACCS Tejas Non-Fiction Book Award This interdisciplinary study explores how US Mexicana and Chicana authors and artists across different historical periods and regions use domestic space to actively claim their own histories. Through “negotiation”—a concept that accounts for artistic practices outside the duality of resistance/accommodation—and “self-fashioning,” Marci R. McMahon demonstrates how the very sites of domesticity are used to engage the many political and recurring debates about race, gender, and immigration affecting Mexicanas and Chicanas from the early twentieth century to today. Domestic Negotiations covers a range of archival sources and cultural productions, including the self-fashioning of the “chili queens” of San Antonio, Texas, Jovita González's romance novel Caballero, the home economics career and cookbooks of Fabiola Cabeza de Baca, Sandra Cisneros's “purple house controversy” and her acclaimed text The House on Mango Street, Patssi Valdez's self-fashioning and performance of domestic space in Asco and as a solo artist, Diane Rodríguez's performance of domesticity in Hollywood television and direction of domestic roles in theater, and Alma López's digital prints of domestic labor in Los Angeles. With intimate close readings, McMahon shows how Mexicanas and Chicanas shape domestic space to construct identities outside of gendered, racialized, and xenophobic rhetoric. This book explores how U.S. Mexicana and Chicana authors and artists across different historical periods and regions, and how they use domestic space to actively claim their own histories. Drawing from a range of archival sources and cultural productions, the book demonstrates how the very sites of domesticity are used to engage with the many political and recurring debates about race, gender, and immigration affecting the lives of Mexicanas and Chicanas from the early twentieth century up through the twenty-first century