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Distributed Objects : Meaning and Mattering After Alfred Gell

جلد کتاب Distributed Objects : Meaning and Mattering After Alfred Gell

معرفی کتاب «Distributed Objects : Meaning and Mattering After Alfred Gell» نوشتهٔ Abo، Kimie، Inō، Hiroaki، Kurusu، Satomi، Maebō، Kanako، Miyata، Kōji، Honda، Yukari و Liana Chua (editor); Mark Elliott (editor)، منتشرشده توسط نشر Berghahn Books در سال 2013. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

One of the most influential anthropological works of the last two decades, Alfred Gell’s __Art and Agency__ is a provocative and ambitious work that both challenged and reshaped anthropological understandings of art, agency, creativity and the social. It has become a touchstone in contemporary artifact-based scholarship. This volume brings together leading anthropologists, archaeologists, art historians and other scholars into an interdisciplinary dialogue with __Art and Agency__, generating a timely re-engagement with the themes, issues and arguments at the heart of Gell’s work, which remains salient, and controversial, in the social sciences and humanities. Extending his theory into new territory – from music to literary technology and ontology to technological change – the contributors do not simply take stock, but also provoke, critically reassessing this important work while using it to challenge conceptual and disciplinary boundaries. 4e de couv.: One of the most influential anthropological works of the last two decades, Alfred Gell's Art and Agency is a provocative and ambitious work that both challenged and reshaped anthropological understandings of art, agency, creativity and the social. It has become a touchstone in contemporary artifact-based scholarship. This volume brings together leading anthropologists, archaeologists, art historians and other scholars into an interdisciplinary dialogue with Art and Agency, generating a timely re-engagement with the themes, issues and arguments at the heart of Gell's work, which remains salient, and controversial, in the social sciences and humanities. Extending his theory into new territory – from music to literary technology and ontology to technological change – the contributors do not simply take stock, but also provoke, critically reassessing this important work while using it to challenge conceptual and disciplinary boundaries CONTENTS LIST OF ILLUSTRATIONS PREFACE INTRODUCTION: ADVENTURES IN THE ART NEXUS CHAPTER 1 THREADS OF THOUGHT Reflections on Art and Agency CHAPTER 2 TECHNOLOGIES OF ROUTINE AND OF ENCHANTMENT CHAPTER 3 FIGURING OUT DEATH Sculpture and Agency at the Mausoleum of Halicarnassus and the Tomb of the First Emperor of China CHAPTER 4 THE NETWORK OF STANDARD STOPPAGES (C.1985) CHAPTER 5 GELL’S DUCHAMP/DUCHAMP’S GELL CHAPTER 6 MUSIC Ontology, Agency, Creativity CHAPTER 7 LITERARY ART AND AGENCY? Gell and the Magic of the Early Modern Book CHAPTER 8 ART, PERFORMANCE AND TIME’S PRESENCE Reflections on Temporality in Art and Agency CHAPTER 9 EPILOGUE NOTES ON CONTRIBUTORS INDEX
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