Digital Color Management: Principles and Strategies for the Standardized Print Production (X.media.publishing)

The book describes color management for the print production with a focus on implementing standards for separation, soft proof, contract proof, data delivery and printing. The basics and strategies are targeted at setting up vendor-independent color management workflows which can easily be realized with leading applications from e.g. Adobe, AGFA, GMG, Heidelberg, Kodak and X-Rite. The author explains with a unique graphical concept how different standards such as ISO 12647, SWOP, GRACoL, G7, ICC profile format and PDF/X fit together. He describes the main points for setting up color management and quality control from the print buyer over photography, agency and pre-press to the printer. The book has a strong focus on communication between print buyer, photographer, agency, pre-press and printers. Based on the best practice in communication it explains the important steps for quality control for digital data, contract proofs and prints. "This excellent book, now available in English for the first time, offers an insight and practical advice on all areas of ICC color management. As well as offering details on the application of graphic arts workflows, it provides a background to color theory that even the most experienced in this area will find useful." Paul Sherfield, The Missing Horse Consultancy

The book describes color management for the print production with a focus on implementing standards for separation, soft proof, contract proof, data delivery and printing.

The basics and strategies are targeted at setting up vendor-independent color management workflows which can easily be realized with leading applications from e.g. Adobe, AGFA, GMG, Heidelberg, Kodak and X-Rite.

The author explains with a unique graphical concept how different standards such as ISO 12647, SWOP, GRACoL, G7, ICC profile format and PDF/X fit together.

He describes the main points for setting up color management and quality control from the print buyer over photography, agency and pre-press to the printer. The book has a strong focus on communication between print buyer, photographer, agency, pre-press and printers. Based on the best practice in communication it explains the important steps for quality control for digital data, contract proofs and prints.

The use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production. Front Matter....Pages 1-15 Color Theory with Ideal Colors....Pages 16-31 Color Theory with Realistic Colors....Pages 32-57 The Principles of Color Management....Pages 58-75 ISO 12647, GRACoL and SWOP for Separation, Proof and Print....Pages 76-109 Using ICC Strengths and Avoiding ICC Problems....Pages 110-165 PDF/X-1a and DeviceLink Color Servers....Pages 166-199 Corner Stones for a Color-Management Strategy....Pages 200-208 Back Matter....Pages 209-212 Annotation Contains illustrations and provides numerous tips and tricks on how to work with colour in pre-press in a graphic manner. It should be useful for those in design, image editing and offset printing, providing access to the principles and applications of digital colour management cover-large.TIF 1 front-matter.pdf 2 fulltext.pdf 17 fulltext_2.pdf 33 fulltext_3.pdf 59 fulltext_4.pdf 77 fulltext_5.pdf 111 fulltext_6.pdf 167 fulltext_7.pdf 201 back-matter.pdf 210