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Defiant Sounds: Heavy Metal Music in the Global South (Extreme Sounds Studies: Global Socio-Cultural Explorations)

معرفی کتاب «Defiant Sounds: Heavy Metal Music in the Global South (Extreme Sounds Studies: Global Socio-Cultural Explorations)» نوشتهٔ Kobi Farhi، Azmyl Yusof، Brian Trott، Anthony J. Thibodeau، Oki Rahadianto Sutopo، Tshomarelo "Vulture" Mosaka، Adil Johan، Susane Hécate، Amine Hamma، Didier Goossens، Susana González-Martínez، Manuel Gagneux، Mark Levine، Pasqualina Eckerström، Sage Bond، Manuela Belén Calvo، Edward Banchs، Augustinus Aryo Lukisworo، Daniel Nevárez Araújo، Esther Clinton، Nelson Varas-Díaz، Kevin Fellezs، Jeremy Wallach و Paula Rowe، منتشرشده توسط نشر Lexington Books/Fortress Academic; Lexington Books در سال 2023. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Defiant Sounds: Heavy Metal Music in the Global South brings together authors working from and/or with the Global South to reflect on the roles of metal music throughout their respective regions. The essays position metal music at the epicenter of region-specific experiences of oppression marked by colonialism, ethnic extermination, political persecution, and war. More importantly, the authors stress how metal music is used throughout the Global South to face these oppressive experiences, foster hope, and promote an agenda that seeks to build a better world. Contents Introduction SECTION 1 Conceptualizing the Distorted South Chapter 1 Metal Music in the Distorted South SECTION 2 Hope Chapter 2 An Exegesis of Excess Chapter 3 Reclaiming Aotearoa Chapter 4 “A Whole New Type of Isolation” SECTION 3 Social Change Chapter 5 “We Play Heavy Metal Because Our Lives Are Heavy Metal” Chapter 6 Youth Activism and Decolonial Metal Chapter 7 Coloniality and Gender in the Argentinian Metal Scene SECTION 4 Dialogues Chapter 8 An Interview on Contar/Cantar Memórias da Resistência Chapter 9 Misusing Things in Metal Music Chapter 10 The Alternative Side of the Frame Chapter 11 A Dialogue on Metal Festivals and Social Justice SECTION 5 Diaspora Chapter 12 The Ultra-Violence Chapter 13 “Somewhere They Belong” SECTION 6 Transgression Chapter 14 Ancient, Evil, and African Chapter 15 The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria SECTION 7 Resistance and Community Chapter 16 Decolonizing the Mind’s Eye Chapter 17 Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene Chapter 18 Satan Wasn’t There Epilogue Index About the Editors Working from and with countries spanning Latin America, Africa, the Middle East, Asia, Oceania, and Indigenous Nations, the contributors of this collection reflect on the social roles of metal music and stress how it faces oppressive experiences and aims to build a better world.
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