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Death-Drive: Freudian Hauntings in Literature and Art (The Frontiers of Theory)

معرفی کتاب «Death-Drive: Freudian Hauntings in Literature and Art (The Frontiers of Theory)» نوشتهٔ Robert Rowland Smith، منتشرشده توسط نشر Edinburgh University Press در سال 2010. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Robert Rowland Smith takes Freud's work on the death-drive and compares it with other philosophies of death - Pascal, Heidegger and Derrida in particular. He also applies it in a new way to literature and art - to Shakespeare, Rothko and Katharina Fritsch, among others. He asks whether artworks are dead or alive, if artistic creativity isn't actually a form of destruction, and whether our ability to be seduced by fine words means we don't put our selves at risk of death. In doing so, he proposes a new theory of aesthetics in which artworks and literary texts have a death-drive of their own, not least by their defining ability to turn away from all that is real, and where the effects of the death-drive mean that we are constantly living in imaginary, rhetorical or 'artistic' worlds. The book also provides a valuable introduction to the rich tradition of work on the death-drive since Freud. Key Features * Includes a general introduction to the death-drive * Presents an original theory of aesthetics * Analyses both theoretical and clinical psychoanalysis * Offers in-depth treatment of Freud * Provides an overview of philosophies of death Robert Rowland Smith Takes Freud's Work On The Death-drive And Compares It With Other Philosophies Of Death - Pascal, Heidegger And Derrida In Particular. He Also Applies It In A New Way To Literature And Art - To Shakespeare, Rothko And Katharina Fritsch, Among Others. He Asks Whether Artworks Are Dead Or Alive, If Artistic Creativity Isn't Actually A Form Of Destruction, And Whether Our Ability To Be Seduced By Fine Words Means We Don't Put Our Selves At Risk Of Death. In Doing So, He Proposes A New Theory Of Aesthetics In Which Artworks And Literary Texts Have A Death-drive Of Their Own, Not Least By Their Defining Ability To Turn Away From All That Is Real, And Where The Effects Of The Death-drive Mean That We Are Constantly Living In Imaginary, Rhetorical Or 'artistic' Worlds. The Book Also Provides A Valuable Introduction To The Rich Tradition Of Work On The Death-drive Since Freud.--pub. Desc. 1. Memento Mori -- 2. The Death-drive Does Not Think -- 3. A Subject Is Being Beaten -- 4. White Over Red -- 5. Literature-repeat Nothing -- 6. A Harmless Suggestion -- 7. The Rest Of Radioactive Light -- Postscript: Approaching Death. Robert Rowland Smith. Includes Bibliographical References And Index. The Frontiers of Theory-Series Editor: Martin McQuillan
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