Dangerous Fictions: The Fear of Fantasy and the Invention of Reality

In a political moment when social panics over literature are at their peak, Dangerous Fictions is a mind-expanding treatise on the nature of fictional stories as cultural battlegrounds for power. Fictional stories have long held an uncanny power over hearts and minds, especially those of young people. In Dangerous Fictions , Lyta Gold traces arguments both historical and contemporary that have labeled fiction as dark, immoral, frightening, or poisonous. Within each she asks: How “dangerous” is fiction, really? And what about it provokes waves of moral panic and even censorship? Gold argues that any panic about art is largely a disguised panic about power. There have been versions of these same fights over fiction for centuries. By exposing fiction as a social danger and a battleground of immediate public concern, we can see what each side really wants—the right to shape the future of a world deeply in flux and a distraction from more... In a cultural moment when panics over the stories we tell are at their peak, Dangerous Fictions shows us exactly what we're fighting about and why Fictional stories have long been imagined to hold an uncanny power over hearts and minds, especially those of young people. These days, everybody frets about according to the National Coalition Against Censorship, the current wave of book bans is the worst since the 1980s, and our cultural debates are consumed by questions about the politics and moral responsibility of storytelling. Can readers and viewers, at any age, be harmed by what they read and see? In Dangerous Fictions Lyta Gold traces arguments both historical and contemporary that have labeled fiction as dark, immoral, frightening, or poisonous; within each she asks, how dangerous is fiction, really? And what about it provokes waves of moral panic and even censorship? Fiction is the story of other that, more than anything else, is what makes it dangerous. From YA readers condemning faults in representation, to debates over the moral worth of controversial works like Lolita, to conservative calls to ban literature that might make white readers feel guilty about American history, people of all political stripes clearly believe stories hold considerable political power. Dangerous Fictions incisively posits that a panic about art is largely a panic about power in disguise. Gold argues that weve been having versions of these same fights over fiction for centuries, and that by exposing fiction as a site of social danger, a battleground of immediate public concern, we can see what each side really the right to shape the future of a world deeply in flux, along with an entertaining sideshow to distract from more pressing material concerns about money, access, and the hard work of politics. From novels about people driven insane by reading novels to copaganda TV shows that impact how viewers regard the police, Gold uses her signature wit, research, and fearless commentary to point readers towards a more substantial fiction may be dangerous to us, but arent we also dangerous to it? Fiction is, in fact, the story of other people. That, more than anything else, is what makes it dangerous. At the same time, however, the panics over fiction are never fully about fiction: they're almost always deflections of some other, more formless anxiety. Anxiety about the body politic, anxiety about the next generation, anxiety about who gets to make and control art, anxiety about what kinds of people get to exist in the public imagnination, and, at its deepest level, anxiety about what kinds of human activity can be categorized as valuable and therefore worthy of attention (and compensation) in the first place. The debate over "dangerous fiction" is never about such simple questions as "Is fiction good for us?" or "Is fiction bad for us ?" No matter what we're saying, we're always speaking in metaphor and allusion: we're always talking about something else. *source: Better World Books*