Damascus Gate

On the cusp of the millennium, Jerusalem has become a battleground in the race for redemption. American journalist Christopher Lucas is investigating religious fanatics when he discovers a plot to bomb the sacred Temple Mount. A violent confrontation in the Gaza Strip, a race through riot-filled streets, a cat-and-mouse game in an underground maze -- as Lucas follows his leads, he uncovers an attempt to seize political advantage that reveals duplicity and depravity on all sides of Jerusalem's sacred struggle. Ambitious, passionate, darkly comic, Damascus Gate is not only Robert Stone's biggest and best novel to date, but a timely and brilliant story of belief, power, salvation, and apocalypse. Amazon.com Review In his earlier novels, Robert Stone has taken us to such hot spots as Vietnam, Central America, and that ultimate sinkhole of depravity we call Hollywood. This time around, it's Jerusalem. Given Stone's gift for depicting both political and personal embroilment--indeed, for making the two inextricable--this particular city is an inspired choice. For starters, Jerusalem remains a sacred destination for Muslims, Jews, and Christians and a hotly contested one. It's also a magnet for hustlers, fanatics, and millennial dreamers, a generous assortment of whom populate the pages of Damascus Gate . As always, Stone introduces a (relatively) innocent American into the picture--a journalist named Christopher Lucas. This career skeptic prides himself on his detachment: he prefers the kind of story "that exposed depravity and duplicity on both sides of supposedly uncompromising sacred struggles. He found such stories reassuring, an affirmation of the universal human spirit." Yet Lucas, a lapsed Catholic, has journeyed to Jerusalem at least in part to recharge his devotional batteries. And as he's slowly drawn into a terrorist plot--which involves drugs, arms smuggling, and a plan to blow up the Temple Mount--Lucas sheds his detachment in a hurry. Stone's novel functions as an expert thriller, whose slow, somewhat clunky wind-up is more than compensated for by a brilliant grand finale. It is also, however, a dogged exploration of faith, in which cynics and true believers jostle for predominance. "Life was so self-conscious in Jerusalem," the author reflects, "so lived at close quarters, by competing moralizers. Every little blessing demanded immediate record." It's hard to imagine a more vivid record of these mutual blessings--and maledictions!--than Robert Stone's. From Publishers Weekly From its sublime triumphs to its noble failures, Stone's first novel since Outerbridge Reach (1993) is a major work in every aspect, a sprawling, discordant prose symphony. In Jerusalem, which he depicts as a holy Bedlam, Stone finds the perfect setting for the spiritual agonies that have marked his most powerful writing. In that city, everyone suffers from the burden of faith, or lack of it, and everyone wants something, usually at any price. Expat American journalist Christopher Lucas wants a surer identity?born Christian and Jewish, he feels rooted to neither faith?as well as love and, of course, a good story. But his desire has limits, drawn by conscience, and so he serves well as the reader's proxy, a normal man surrounded by seekers of the absolute. Around Lucas swirl addled saints, addicted sinners, con men, cruel members of Hamas and even crueler Israeli security forces. All the parties have their own agendas, most of which hinge on a conspiracy among extremist Israeli Jews and American Christians to blow up the Temple Mount and usher in Armageddon. Stone's presentation of this narrative backbone can be mechanical and sometimes seems extraneous to the novel's main theme of the wages of faith. More captivating is an ancillary plot involving a drug-blasted seeker's attempts to elevate a manic-depressive Jew as a world savior; one of his pawns, Sonia Barnes, an American Sufi who's also Lucas's love interest, proves as compelling as any Stone heroine. Most extraordinary, though, is the author's passionate etching of landscapes both physical and spiritual. The book opens slowly, with a diffuse if portentous ramble through the city, though the narrative intensifies through scenes of terror and moral gravity?particularly in a nightmare Gaza strip inflamed by riot?until Jerusalem and its people coalesce to iridescent indelibility. Bold and bracing, ambitious and inspired, Damascus Gate is, even for its flaws, an astonishment. 100,000 first printing; $150,000 ad/promo. Copyright 1998 Reed Business Information, Inc.

“A stunning novel by a great American writer.”—Washington Post

Jerusalem: home to seekers, heretics, hustlers, and madmen of many faiths. In this most fractious city, a plot unfolds to bomb the sacred Temple Mount.
      Christopher Lucas, an expatriate American journalist, stumbles upon the plot while investigating religious fanatics. Entangled in the intrigue are a nightclub singer, an unstable Jewish guru, a strung-out Kabbalist seeking the messiah, and a soldier of fortune routinely found at the world’s violent clashes. A confrontation in Gaza, a chase through riot-filled streets, a cat-and-mouse game in an underground maze—as Lucas races against time, he uncovers the duplicity and depravity on all sides of Jerusalem’s sacred struggle.
      An explosive bestseller, Damascus Gate lays bare the dangers at the fringes of faith.

“A transcendent thriller.”—Time

“Brims over with plots, subplots, and an impressive array of incisively drawn characters . . . The range of [Stone’s] knowledge is spectacular.”—The New Yorker

“Damascus Gate asks enormous questions about cosmic truth—and its effect on those who think they own it—with intensity, intellectual rigor and abiding morality.”—San Francisco Chronicle

On the cusp of the millennium, Jerusalem has become a battleground in the race for redemption. American journalist Christopher Lucas is investigating religious fanatics when he discovers a plot to bomb the sacred Temple Mount. A violent confrontation in the Gaza Strip, a race through riot-filled streets, a cat-and-mouse game in an underground maze — as Lucas follows his leads, he uncovers an attempt to seize political advantage that reveals duplicity and depravity on all sides of Jerusalem's sacred struggle.

Ambitious, passionate, darkly comic, Damascus Gate is not only Robert Stone's biggest and best novel to date, but a timely and brilliant story of belief, power, salvation, and apocalypse.

The New Yorker - Daphne Merkin

The definitive novel about Israel....Brims over with plots, subplots, and an impressive array of incisively drawn characters.

With soaring vision and profound intelligence, Robert Stone has written a harrowing, breathtaking novel about our desperate search, at any price, for the consolation of redemption—and about the people who are all too willing to provide it. A violent confrontation in the Gaza Strip, a mind-altering pilgrimage, a race through riot-filled Jerusalem streets, a cat-and-mouse game in an underground maze, a desperate attempt to prevent a bomb from detonating beneath the Temple Mount—Damascus Gate is an exhilarating journey through the moral and religious ambiguities that haunt the holiest of cities and its seekers, cynics, hustlers, and madmen. Set in Jerusalem, where violence, ecstasy, heresy, and salvation are all to be found, Damascus Gate is simultaneously the story of a man's search for truth—or some version of it—and the story of a city where sanity is casually traded for faith. Jerusalem: where earth meets heaven, home to seekers and heretics, hustlers and madmen, dreamers and the faithful of every persuasion. In this holiest and most fractious city, where religion and politics are inextricably bound, a plot unfolds to bomb the sacred Temple Mount. Christopher Lucas, an expatriate American journalist, skeptical and searching, stumbles upon the Temple Mount plot while on assignment to investigate religious fanatics. Unwittingly entangled in the bombing plan is another American, Sonia Barnes, a Sufi convert and nightclub singer, who is drawn with Lucas into the dangerous intrigues surrounding the Old City. They encounter Adam De Kuff, an unstable Jewish guru; Raziel Melker, a strung-out Kabbalist who foists De Kuff into the role of messiah; and Jan Zimmer, a soldier of fortune routinely at the center of the world's flashpoints. Jewish and Christian terrorists unite in a scheme to blow up Islamic mosques on the Temple Mount in Jerusalem. The plot is discovered by Christopher Lucas, a Jewish-Catholic journalist from the U.S. writing a book on religious passions. He has a romance with an Arab nightclub dancer Thriller, som foregår i Jerusalem, hvor sammensværgelser, drømme om politiske forandringer, bilafbrændinger og bomber hører til dagens orden