Current Directions in Eleventh- and Twelfth-Century Sculpture Studies (STUDIES IN THE VISUAL CULTURES OF THE MIDDLE AGES)

Introduction : Romanesque Sculpture Studies At A Crossroads / Robert A. Maxwell, Kirk Ambrose -- Iconography Beyond Iconography : Relational Meanings And Figures Of Authority In The Reliefs Of Souillac / Jérôme Baschet -- The Status Of Sculpture In The Early Middle Ages : Liturgy And Paraliturgy In The Liber Miraculorum Sancte Fidis / Martin Büchsel -- The Nude At Moissac : Vision, Phantasia, And The Experience Of Romanesque Sculpture / Thomas E.a. Dale -- The Date Of The Moissac Portal / Ilene H. Forsyth -- (re)framing Early Romanesque Sculpture In Italy / Dorothy F. Glass -- Sculpturing Architecture, Framing Sculpture, And Modes Of Contextualizing The Arts In The Eleventh And Twelfth Centuries / Klaus Niehr -- Between Rupture And Continuity : Romanesque Sculpture At The Monastery Of Santo Domingo De Silos / José Luis Senra -- Romanesque Sculpture In Italy : Form, Function, And Cultural Practice / Andrea Von Hülsen-esch -- The Emergence Of Spanish Romanesque Sculpture : A Century Of Scholarship / John Williams. Edited By Robert A. Maxwell, Kirk Ambrose. Includes Bibliographical References And Indexes. Front matter (“Table Of Contents”,“Acknowledgments”, “List of Illustrations”), p. I Free Access Introduction: Romanesque Sculpture Studies at a Crossroads, p. 1 Robert A. Maxwell, Kirk Ambrose https://doi.org/10.1484/M.SVCMA-EB.4.6001 Iconography beyond Iconography: Relational Meanings and Figures of Authority in the Reliefs of Souillac, p. 23 Jérôme Baschet https://doi.org/10.1484/M.SVCMA-EB.4.6002 The Status of Sculpture in the Early Middle Ages: Liturgy and Paraliturgy in the Liber miraculorum sancte Fidis, p. 47 Martin Büchsel https://doi.org/10.1484/M.SVCMA-EB.4.6003 The Nude at Moissac: Vision, Phantasia, and the Experience of Romanesque Sculpture, p. 61 Thomas E. A. Dale https://doi.org/10.1484/M.SVCMA-EB.4.6004 The Date of the Moissac Portal, p. 77 Ilene H. Forsyth https://doi.org/10.1484/M.SVCMA-EB.4.6005 (Re)framing Early Romanesque Sculpture in Italy, p. 101 Dorothy F. Glass https://doi.org/10.1484/M.SVCMA-EB.4.6006 Sculpturing Architecture, Framing Sculpture, and Modes of Contextualizing the Arts in the Eleventh and Twelfth Centuries, p. 119 Klaus Niehr https://doi.org/10.1484/M.SVCMA-EB.4.6007 Between Rupture and Continuity: Romanesque Sculpture at the Monastery of Santo Domingo de Silos, p. 141 José Luis Senra https://doi.org/10.1484/M.SVCMA-EB.4.6008 Romanesque Sculpture in Italy: Form, Function, and Cultural Practice, p. 169 Andrea von Hülsen-Esch https://doi.org/10.1484/M.SVCMA-EB.4.6009 The Emergence of Spanish Romanesque Sculpture: A Century of Scholarship, p. 185 John Williams https://doi.org/10.1484/M.SVCMA-EB.4.6010 Back matter (“Notes on Contributors”, “Index of Place Names”,“Index of Subjects”), p. 201 AcknowledgmentsList of IllustrationsIntroduction: Romanesque Sculpture Studies at a CrossroadsRober A.Maxwell and Kirk Ambrose1.Iconography beyond Iconography: Relational Meanings and Figures of Authority in the Reliefs of SouillacJérôme Baschet2.The Status of Sculpture in the Early Middle Ages: Liturgy and Paraliturgy in the Liber Miraculorum sancte FidisMartin Büchsel3.The Nude at Moissac: Vision, Phantasia, and the Experience of Romanesque SculptureThomas E.A. Dale4.The Date of the Moissac PortalIlene H. Forsyth5.(Re)framing Early Romanesque Sculpture in ItalyDorothy F. Glass6.Sculpturing Architecture, Framing Sculpture, and Modes of Contextualizing the Arts in the Eleventh and Twelfth CenturiesKlaus Niehr7.Between Rupture and Continuity: Romanesque Sculpture at the Monastery of Santo Domingo de SilosJosé Luis Senra8.Romanesque Sculpture in Italy: Form, Function, and Cultural PracticeAndrea von Hülsen-Esch9.The Emergence of Spanish Romanesque Sculpture: A Century of ScholarshipJohn WilliamsNotes on ContributorsIndex of Place NamesIndex of Subjects