Culture, Crisis and America's War on Terror

Since the infamous events of 9/11, the fear of terrorism and the determination to strike back against it has become a topic of enormous public debate. The 'war on terror' discourse has developed not only through American politics but via other channels including the media, the church, music, novels, films and television, and therefore permeates many aspects of American life. Stuart Croft suggests that the process of this production of knowledge has created a very particular form of common sense which shapes relationships, jokes and even forms of tattoos. Understanding how a social process of crisis can be mapped out and how that process creates assumptions allows policy-making in America's war on terror to be examined from new perspectives. Using IR approaches together with insights from cultural studies, this 2006book develops a dynamic model of crisis which seeks to understand the war on terror as a cultural phenomenon. Since The Infamous Events Of 9/11, The Fear Of Terrorism And The Determination To Strike Back Against It Has Become A Topic Of Enormous Public Debate. The 'war On Terror' Discourse Has Developed Not Only Through American Politics But Via Other Channels Including The Media, The Church, Music, Novels, Films And Television, And Therefore Permeates Many Aspects Of American Life. Stuart Croft Suggests That The Process Of This Production Of Knowledge Has Created A Very Particular Form Of Common Sense Which Shapes Relationships, Jokes And Even Forms Of Tattoos. Understanding How A Social Process Of Crisis Can Be Mapped Out And How That Process Creates Assumptions Allows Policy-making In America's War On Terror To Be Examined From New Perspectives. Using International Relations Approaches Together With Insights From Cultural Studies, This Book Develops A Dynamic Model Of Crisis Which Seeks To Understand The War On Terror As A Cultural Phenomenon.--jacket. 1. Disrupting Meaning -- 2. Deconstructing The Second American 9/11 -- 3. The Decisive Intervention -- 4. The Institutionalisation And Stabilisation Of The Policy Programme -- 5. Acts Of Resistance To The 'war To Terror' -- 6. The Discourse Strikes Back -- 7. Conclusion. Stuart Croft. Includes Bibliographical References (p. 287-289) And Index. "Since the infamous events of 9/11, the fear of terrorism and the determination to strike back against it has become a topic of enormous public debate. The 'war on terror' discourse has developed not only through American politics but via other channels including the media, the church, music, novels, films and television, and therefore permeates many aspects of American life. Stuart Croft suggests that the process of this production of knowledge has created a very particular form of common sense which shapes relationships, jokes and even forms of tattoos. Understanding how a social process of crisis can be mapped out and how that process creates assumptions allows policy-making in America's war on terror to be examined from new perspectives. Using international relations approaches together with insights from cultural studies, this book develops a dynamic model of crisis which seeks to understand the war on terror as a cultural phenomenon."--BOOK JACKET The 'war on terror' discourse continues to develop as it becomes evident in so many aspects of American life through the media, music, novels, television and film. This book explores how a social process of crisis can be mapped out and how it might be applied to other cases.