Cultural Exchange Between the Low Countries and Italy (1400-1600) (Museums at the Crossroads)

Table of Contents: Preface. Diane Wolfthal, 'Florentine Bankers, Flemish Friars, and the Patronage of the Portinari Altarpiece'; Michael Rohlmann, 'The Annunciation by Joos Ammann in Genoa: Context, Function and Metapictorial Quality'; Creighton Gilbert, 'Piero and Bouts'; Francis Ames-Lewis, 'Sources and Documents for the Use of the Oil Medium in Fifteenth-Century Italian Painting'; Maria Clelia Galassi, 'Aspects of Antonello da Messina's Technique and Working Method in the 1470s: Between Italian and Flemish Tradition'; Colin Eisler, 'Flying Pictorial Carpets - Tapestries' Transalpine Agendas'; Ingrid D. Rowland, 'Agostino Chigi's Flemish Connection'; Elizabeth Ross, 'Mainz at the Crossroads of Utrecht and Venice: Erhard Reuwich and the Peregrinatio in terram sanctam (1486)'; Ingrid Alexander-Skipnes, 'Northern Realism and Carthusian Devotion: Bergognone's Christ Carrying the Cross for the Certosa of Pavia'; Marina Belozerskaya, 'Critical Mass: Importing Luxury Industries Across the Alps'; Barbara G. Lane, 'Memling's Impact on the Early Raphael'; Laura D. Gelfand, 'Regional Styles and Political Ambitions: Margaret of Austria's Monastic Foundation at Brou'; Yona Pinson, 'Moralized Triumphal Chariots - Metamorphosis of Petrarch's Trionfi in Northern Art (c. 1530- c. 1560)'; Frits Scholten, 'Spiriti veramente divini: Sculptors from the Low Countries in Italy, 1500-1600'; Nello Forti Grazzini, 'Brussels Tapestries for Italian Customers: Cardinal Montalto's Landscape with Animals Made by Jan II Raes and Catherine van den Eynde'. Bibliography. Colour Plates. Florentine Bankers, Flemish Friars, And The Patronage Of The Portinari Altarpierce / Dian Wolfthal -- The Annunciation By Joos Ammann In Genoa : Context, Function And Metapictorial Quality / Michael Rohlmann -- Peiro And Bouts / Creighton Gilbert -- Sources And Documents For The Use Of The Oil Medium In Fifteenth-century Italian Painting / Francis Ames-lewis -- Aspects Of Antonello Da Messina's Technique And Working Method In The 1470s : Between Italian And Flemish Tradition / Maria Clelia Galassi -- Flying Pictorial Carpets : Tapestries' Transalpine Agendas / Colin Eisler -- Agostino Chigi's Flemish Connection / Ingrid D. Rowland -- Mainz At The Crossroads Of Utracht And Venice : Erhard Reuwich And The Peregrinatio In Terram Sanctam (1486) / Elizabeth Ross -- Northern Realism And Carthusian Devotion : Bergognone's Christ Carrying The Cross For The Certosa Of Pavia / Ingrid Alexander-skipnes -- Critical Mass : Importing Luxury Industries Across The Alps / Marina Belozerskaya -- Memlin's Impact On The Early Raphael / Barbara G. Lane -- Regional Styles And Political Ambitions : Margaret Of Austria's Monastic Foundation At Brou / Laura D. Gelfand -- Moralised Triumphal Chariots -- Metamorphosis Of Petrarch's Trionfi In Northern Art (c. 1530-c. 1560) / Yona Pinson -- Spiriti Veramente Divini : Sculptors From The Low Countries In Italy, 1500-1600 / Frits Scholten -- Brussels Tapestries For Italian Customers : Cardinal Montalto's Landscapes With Animals Made By Jan Ii Raes And Catherine Van Den Eynde / Nello Forti Grazzini. Edited By Ingrid Alexander-skipnes. Series Information From Publisher's Website, Viewed June 18, 2017. Includes Bibliographical References (pages 267-274).