Critical Theory and Political Engagement : From May 1968 to the Arab Spring

In this timely study, Pawling argues for a renewal of the 'politics of intellectual life', calling for an engaged critical theory written in the spirit of May 1968, as exemplified in the works of figures such as Sartre, Derrida, Badiou, Jameson and Said. The 'moment' of May 1968 offered a vivid example of intellectual engagement with radical politics, which dominated the late 1960s and 1970s but arguably became passe thereafter with the emergence of a depoliticised post-modernism and the seeming demise of Marxism after the fall of Soviet Communism. However, more recently, there has been a revival of interest in political engagement, with actions such as the demonstrations against the Iraq War and the Occupy movement. Pawling focuses on a number of key writers who have made significant contributions to critical theory in what can be called the 'spirit of '68', including Sartre, Derrida, Badiou, Jameson and Said. These figures do not necessarily share the same perspective on questions such as the role of the 'subject' and the political relevance of art in cultural struggle; however, Pawling concludes that they do share a key problematic: namely, how to understand the dialectical relationship between the formal imperatives of critical theory and its political conditions of existence The 'moment' of May 1968 offered a vivid example of intellectual engagement with radical politics, which dominated the late 1960s and 1970s but arguably became pasš thereafter with the emergence of a depoliticised post-modernism and the seeming demise of Marxism after the fall of Soviet Communism. However, more recently, there has been a revival of interest in political engagement, with actions such as the demonstrations against the Iraq War and the Occupy movement. Pawling focuses on a number of key writers who have made significant contributions to critical theory in what can be called the 'spirit of '68', including Sartre, Derrida, Badiou, Jameson and Said. These figures do not necessarily share the same perspective on questions such as the role of the 'subject' and the political relevance of art in cultural struggle; however, Pawling concludes that they do share a key problematic: namely, how to understand the dialectical relationship between the formal imperatives of critical theory and its political conditions of existence Front Matter....Pages i-xi Critical Theory and Radical Politics in the Late Sixties....Pages 1-10 Marxism and Artistic Commitment....Pages 11-45 Humanism and Post-Humanism: The Antinomies of Critical Theory, Post-May ’68....Pages 46-60 Rediscovering Commitment: Jacques Derrida’s Specters of Marx ....Pages 61-87 Reviving the Critical Spirit of May ’68: Alain Badiou and the Cultural Politics of the ‘Event’....Pages 88-124 Badiou and the Search for an Anti-Humanist Aesthetic....Pages 125-140 Totality and the Dialectic in the Critical Theory of Fredric Jameson....Pages 141-168 Back to the Future? From Postmodernism to the ‘Communist Idea’....Pages 169-188 Back Matter....Pages 189-213