عکاسی صحنه جرم، ویرایش دوم

Crime Scene Photography, Second Edition covers the general principals and concepts of photography, while also delving into the more practical elements and advanced concepts of forensic photography. Edward Robinson assists the reader in understanding and applying essential concepts in order to create images that are able to withstand challenges in court. The first part of the book deals with the basic theory and science of photography required to take superior photographs, and covers topics such as composition, exposure, focus, depth of field, and flash techniques. The second part of the text deals specifically with the challenges of photographing a crime scene, including instructions on how to document bodies and wounds, traffic accident photography, underwater photography and aerial photography. In the latter portions of the text, the author turns to digital theory and its advantages and disadvantages. * Over 600 full color photographs, also electronically available on the companion website * Two new chapters on 'The History of Forensic Photography,' and 'Digital Image Processing of Evidentiary Photography' * Includes an Instructor website with lecture slides, practical exercises, a test bank and image collection * An essential reference for crime scene photography, including topics such as Composition, the Inverse Square Law, Court Cases affecting photography, Digital Image Processing, and Photogrammetry * Required reading by the Crime Scene Certification Board of the International Association for Identification (IAI) for all levels of certification Crime Scene Photography, Second Edition, offers an introduction to the basic concepts of forensic picture-taking. It covers the basic crime scene scenario, providing important details to guide the student and professional through the process in a step-by-step manner. In addition to the photographic aspect, the handling and care of evidence and maintenance of the crime scene are also addressed. The book begins by tracing the history of crime scene photography. It explains the cardinal rules of crime scene photography; the photographic variables related to exposure; and the three basic types of crime/accident scene photographs: overalls, midranges, and close-ups. This is followed by discussions on the use of digital imaging technologies and the legal issues related to photography. Each chapter begins with an outline of Learning Objective and Key Terms that will be used for the remainder of the text. Within the text are tips and rules-of-thumb that highlight important aspects of the chapter. The chapters conclude with a succinct Summary, Discussion Questions, Practical Exercises, and a comprehensive list of Further Readings. This textbook is designed for photography students in an academic setting and practitioners working within various law enforcement agencies. * Over 600 full color photographs, also electronically available on the companion website * Two new chapters on 'The History of Forensic Photography, ' and 'Digital Image Processing of Evidentiary Photography' * Includes an Instructor website with lecture slides, practical exercises, a test bank and image collection * An essential reference for crime scene photography, including topics such as Composition, the Inverse Square Law, Court Cases affecting photography, Digital Image Processing, and Photogrammetry * Required reading by the Crime Scene Certification Board of the International Association for Identification (IAI) for all levels of certification

Crime Scene Photography, Second Edition, offers an introduction to the basic concepts of forensic picture-taking. It covers the basic crime scene scenario, providing important details to guide the student and professional through the process in a step-by-step manner. In addition to the photographic aspect, the handling and care of evidence and maintenance of the crime scene are also addressed.

The book begins by tracing the history of crime scene photography. It explains the cardinal rules of crime scene photography; the photographic variables related to exposure; and the three basic types of crime/accident scene photographs: overalls, midranges, and close-ups. This is followed by discussions on the use of digital imaging technologies and the legal issues related to photography. Each chapter begins with an outline of Learning Objective and Key Terms that will be used for the remainder of the text. Within the text are tips and rules-of-thumb that highlight important aspects of the chapter. The chapters conclude with a succinct Summary, Discussion Questions, Practical Exercises, and a comprehensive list of Further Readings.

This textbook is designed for photography students in an academic setting and practitioners working within various law enforcement agencies.

• Over 600 full color photographs
• Two new chapters on 'The History of Forensic Photography,' and 'Digital Image Processing of Evidentiary Photography'
• An essential reference for crime scene photography, including topics such as Composition, the Inverse Square Law, Court Cases affecting photography, Digital Image Processing, and Photogrammetry
• Required reading by the Crime Scene Certification Board of the International Association for Identification (IAI) for all levels of certification

Crime Scene Photography, Second Edition, offers an introduction to the basic concepts of forensic picture-taking. The forensic photographer, or more specifically the crime scene photographer, must know how to create an acceptable image that is capable of withstanding challenges in court. The photographic theory and principles have to be well grounded in the physics of optics, the how-to recommendations have to work, and the end result must be admissible in court. Based on the author's years of experience in the field at both the Arlington County and Baltimore County Police Departments, this book blends the practical functions of crime scene processing with theories of photography to guide the student in acquiring the skills, knowledge, and ability to render reliable evidence. This text has been carefully constructed for ease of use and effectiveness in training and was class-tested by the author at George Washington University. Beginning August 2008, this book will be required reading by the IAI Crime Scene Certification Board for all levels of certification (through August 2011). Over 600 full color photographs Two new chapters on 'The History of Forensic Photography,' and 'Digital Image Processing of Evidentiary Photography' An essential reference for crime scene photography, including topics such as Composition, the Inverse Square Law, Court Cases affecting photography, Digital Image Processing, and Photogrammetry Required reading by the Crime Scene Certification Board of the International Association for Identification (IAI) for all levels of certification Overview: Crime Scene Photography, Second Edition covers the general principals and concepts of photography, while also delving into the more practical elements and advanced concepts of forensic photography. Edward Robinson assists the reader in understanding and applying essential concepts in order to create images that are able to withstand challenges in court. The first part of the book deals with the basic theory and science of photography required to take superior photographs, and covers topics such as composition, exposure, focus, depth of field, and flash techniques. The second part of the text deals specifically with the challenges of photographing a crime scene, including instructions on how to document bodies and wounds, traffic accident photography, underwater, and aerial photography. In the latter portions of the text, the author turns to digital theory and its advantages and disadvantages. This second edition includes two new chapters, 'The History of Forensic Imaging, ' and 'Digital Image Processing of Evidentiary Photography, ' and 600 full color photographs, also available on the companion Web site "Crime Scene Photography, Third Edition, covers the general principles and concepts of photography, while also delving into the more practical elements and advanced concepts of forensic photography. Robinson assists the reader in understanding and applying essential concepts in order to create images that are able to withstand challenges in court."