Crazy Funny: Popular Black Satire and The Method of Madness (The Cultural Politics of Media and Popular Culture)

This book examines the ways in which contemporary works of black satire make black racial madness legible in ways that allow us to see the connections between suffering from racism and suffering from mental illness. Showing how an understanding of racism as a root cause of mental and emotional instability complicates the ways in which we think about racialized identity formation and the limits of socially accepted definitions of (in)sanity, it concentrates on the unique ability of the genre of black satire to make knowable not only general qualities of mental illness that are so often feared or ignored, but also how structures of racism contribute a specific dimension to how we understand the different ways in which people of color, especially black people, experience and integrate mental instability into their own understandings of subjecthood. Drawing on theories from ethnic studies, popular culture studies, cultural studies, psychoanalysis, and trauma theory to offer critical textual analyses of five different instances of new millennial black satire in television, film, and literature – the television show __Chappelle’s Show__, the Spike Lee film __Bamboozled__, the novel __The White Boy Shuffle__ by Paul Beatty, the novels __Erasure__ and __I Am Not Sidney Poitier__ by Percival Everett, and the television show __Key & Peele__ – __Crazy Funny__ presents an account of the ways in which contemporary black satire rejects the boundaries between sanity and insanity as a way to animate the varied dimensions of being a racialized subject in a racist society. This Book Examines The Ways In Which Contemporary Works Of Black Satire Make Black Racial Madness Legible In Ways That Allow Us To See The Connections Between Suffering From Racism And Suffering From Mental Illness. Showing How An Understanding Of Racism As A Root Cause Of Mental And Emotional Instability Complicates The Ways In Which We Think About Racialized Identity Formation And The Limits Of Socially Accepted Definitions Of (in)sanity, It Concentrates On The Unique Ability Of The Genre Of Black Satire To Make Knowable Not Only General Qualities Of Mental Illness That Are So Often Feared Or Ignored, But Also How Structures Of Racism Contribute A Specific Dimension To How We Understand The Different Ways In Which People Of Colour, Especially Black People, Experience And Integrate Mental Instability Into Their Own Understandings Of Subjecthood. Drawing On Theories From Ethnic Studies, Popular Culture Studies, Cultural Studies, Psychoanalysis, And Trauma Theory To Offer Critical Textual Analyses Of Five Different Instances Of New Millennial Black Satire In Television, Film, And Literature - The Television Show Chappelle's Show, The Spike Lee Film Bamboozled, The Novel The White Boy Shuffleby Paul Beatty, The Novels Erasureand I Am Not Sidney Poitierby Percival Everett, And The Television Show Key & Peele- Crazy Funnypresents An Account Of The Ways In Which Contemporary Black Satire Rejects The Boundaries Between Sanity And Insanity As A Way To Animate The Varied Dimensions Of Being A Racialized Subject In A Racist Society. Five Different Instances Of New Millennial Black Satire In Television, Film, And Literature - The Television Show Chappelle's Show, The Spike Lee Film Bamboozled, The Novel The White Boy Shuffleby Paul Beatty, The Novels Erasureand I Am Not Sidney Poitierby Percival Everett, And The Television Show Key & Peele- Crazy Funnypresents An Account Of The Ways In Which Contemporary Black Satire Rejects The Boundaries Between Sanity And Insanity As A Way To Animate The Varied Dimensions Of Being A Racialized Subject In A Racist Society. "This book examines the ways in which contemporary works of black satire make black racial madness legible in ways that allow us to see the connections between suffering from racism and suffering from mental illness. Showing how an understanding of racism as a root cause of mental and emotional instability complicates the ways in which we think about racialized identity formation and the limits of socially accepted definitions of (in)sanity, it concentrates on the unique ability of the genre of black satire to make knowable not only general qualities of mental illness that are so often feared or ignored, but also how structures of racism contribute a specific dimension to how we understand the different ways in which people of colour, especially black people, experience and integrate mental instability into their own understandings of subjecthood. Drawing on theories from ethnic studies, popular culture studies, cultural studies, psychoanalysis, and trauma theory to offer critical textual analyses of five different instances of new millennial black satire in television, film, and literature - the television show Chappelle's Show, the Spike Lee film Bamboozled, the novel The White Boy Shuffle by Paul Beatty, the novels Erasure and I Am Not Sidney Poitier by Percival Everett, and the television show Key & Peele - Crazy Funny presents an account of the ways in which contemporary black satire rejects the boundaries between sanity and insanity as a way to animate the varied dimensions of being a racialized subject in a racist society"-- Provided by publisher "This book examines the ways in which contemporary works of black satire make black racial madness legible in ways that allow us to see the connections between suffering from racism and suffering from mental illness. Showing how an understanding of racism as a root cause of mental and emotional instability complicates the ways in which we think about racialized identity formation and the limits of socially accepted definitions of (in)sanity, it concentrates on the unique ability of the genre of black satire to make knowable not only general qualities of mental illness that are so often feared or ignored, but also how structures of racism contribute a specific dimension to how we understand the different ways in which people of colour, especially black people, experience and integrate mental instability into their own understandings of subjecthood. Drawing on theories from ethnic studies, popular culture studies, cultural studies, psychoanalysis, and trauma theory to offer critical textual analyses of five different instances of new millennial black satire in television, film, and literature - the television show Chappelle's Show, the Spike Lee film Bamboozled, the novel The White Boy Shuffle by Paul Beatty, the novels Erasure and I Am Not Sidney Poitier by Percival Everett, and the television show Key et Peele - Crazy Funny presents an account of the ways in which contemporary black satire rejects the boundaries between sanity and insanity as a way to animate the varied dimensions of being a racialized subject in a racist society"-- This book examines the ways in which contemporary works of black satire make black racial madness legible in ways that allow us to see the connections between suffering from racism and suffering from mental illness. 0Showing how an understanding of racism as a root cause of mental and emotional instability complicates the ways in which we think about racialized identity formation and the limits of socially accepted definitions of (in)sanity, it concentrates on the unique ability of the genre of black satire to make knowable not only general qualities of mental illness that are so often feared or ignored, but also how structures of racism contribute a specific dimension to how we understand the different ways in which people of color, especially black people, experience and integrate mental instability into their own understandings of subjecthood. Drawing on theories from ethnic studies, popular culture studies, cultural studies, psychoanalysis, and trauma theory to offer critical textual analyses of five different instances of new millennial black satire in television, film, and literature - the television show Chappelle's Show, the Spike Lee film Bamboozled, the novel The White Boy Shuffle by Paul Beatty, the novels Erasure and I Am Not Sidney Poitier by Percival Everett, and the television show Key & Peele - Crazy Funny presents an account of the ways in which contemporary black satire rejects the boundaries between sanity and insanity as a way to animate the varied dimensions of being a racialized subject in a racist society