Cosmic Connections : Poetry in the Age of Disenchantment

A major new work by Charles Taylor: the long-awaited follow-up to The Language Animal, exploring the Romantic poetics central to his theory of language. The Language Animal, Charles Taylor's 2016 account of human linguistic capacity, was a revelation, toppling scholarly conventions and illuminating our most fundamental selves. But, as Taylor noted in that work, there was much more to be said. Cosmic Connections continues Taylor's exploration of Romantic and post-Romantic responses to disenchantment and innovations in language. Reacting to the fall of cosmic orders that were at once metaphysical and moral, the Romantics used the symbols and music of poetry to recover contact with reality beyond fragmented existence. They sought to overcome disenchantment and groped toward a new meaning of life. Their accomplishments have been extended by post-Romantic generations into the present day. Taylor's magisterial work takes us from Hoelderlin, Novalis, Keats, and Shelley to Hopkins, Rilke, Baudelaire, and Mallarme, and on to Eliot, Milosz, and beyond. In seeking deeper understanding and a different orientation to life, the language of poetry is not merely a pleasurable presentation of doctrines already elaborated elsewhere. Rather, Taylor insists, poetry persuades us through the experience of connection. The resulting conviction is very different from that gained through the force of argument. By its very nature, poetry's reasoning will often be incomplete, tentative, and enigmatic. But at the same time, its insight is too moving-too obviously true-to be ignored. A major new work by Charles Taylor: the long-awaited follow-up to The Language Animal, exploring the Romantic poetics central to his theory of language.The Language Animal, Charles Taylor's 2016 account of human linguistic capacity, was a revelation, toppling scholarly conventions and illuminating our most fundamental selves. But, as Taylor noted in that work, there was much more to be said. Cosmic Connections continues Taylor's exploration of Romantic and post-Romantic responses to disenchantment and innovations in language.Reacting to the fall of cosmic orders that were at once metaphysical and moral, the Romantics used the symbols and music of poetry to recover contact with reality beyond fragmented existence. They sought to overcome disenchantment and groped toward a new meaning of life. Their accomplishments have been extended by post-Romantic generations into the present day. Taylor's magisterial work takes us from Hölderlin, Novalis, Keats, and Shelley to Hopkins, Rilke, Baudelaire, and Mallarmé, and on to Eliot, Miłosz, and beyond.In seeking deeper understanding and a different orientation to life, the language of poetry is not merely a pleasurable presentation of doctrines already elaborated elsewhere. Rather, Taylor insists, poetry persuades us through the experience of connection. The resulting conviction is very different from that gained through the force of argument. By its very nature, poetry's reasoning will often be incomplete, tentative, and enigmatic. But at the same time, its insight is too moving—too obviously true—to be ignored. In the long-awaited follow-up to The Language Animal , Charles Taylor explores the Romantic poetics central to his theory of language. The Language Animal , Charles Taylors 2016 account of human linguistic capacity, was a revelation, toppling scholarly conventions and illuminating our most fundamental selves. But, as Taylor noted in that work, there was much more to be said. Cosmic Connections continues Taylors exploration of Romantic and post-Romantic responses to disenchantment and innovations in language. Reacting to the fall of cosmic orders that were at once metaphysical and moral, the Romantics used the symbols and music of poetry to recover contact with reality beyond fragmented existence. They sought to overcome disenchantment and groped toward a new meaning of life. Their accomplishments have been extended by post-Romantic generations into the present day. Taylors magisterial work takes us from Hlderlin, Novalis, Keats, and Shelley to Hopkins, Rilke, Baudelaire, and Mallarm, and on to Eliot, Miosz, and beyond. In seeking deeper understanding and a different orientation to life, the language of poetry is not merely a pleasurable presentation of doctrines already elaborated elsewhere. Rather, Taylor insists, poetry persuades us through the experience of connection. The resulting conviction is very different from that gained through the force of argument. By its very nature, poetrys reasoning will often be incomplete, tentative, and enigmatic. But at the same time, its insight is too movingtoo obviously trueto be ignored. Cover Title Page Copyright Dedication Contents Preface Part I 1. “Translation” and the “Subtler Languages” 2. Epistemic Issues 3. An Epochal Change Part II 4. Hölderlin, Novalis 5. Nature, History 6. Shelley, Keats (After Wordsworth) Part III 7. Hopkins, Inscape and After Explanatory Note: Wider Spaces of Meaning 8. Rilke Coda Note: Rilke and Visual Art Explanatory Note: Emerson and Transcendentalism 9. Epistemic Retreat and the New Centrality of Time Part IV 10. Baudelaire 11. After Baudelaire 12. Mallarmé Note on “Symbolism" Part V. The Modernist Turn 13. T. S. Eliot Coda Note: The Buried Life 14. Miłosz Part VI. Relation to History and the Present 15. History of Ethical Growth 16. Cosmic Connection Today—and Perennially Acknowledgments Credits Index