Contested Selves: Life Writing and German Culture (Studies in German Literature Linguistics and Culture)

In recent decades, life writing has exploded in popularity: memoirs that focus on traumatic experiences now constitute the largest growth sector in book publishing worldwide. But life writing is not only highly marketable; it also does important emotional, cultural, and political work. It is more available to amateurs and those without the cultural capital or the self-confidence to embrace more traditional literary forms, and thus gives voice to marginalized populations. Contested Selves investigates various forms of German-language life writing, including memoirs, interviews, letters, diaries, and graphic novels, shedding light on its democratic potential, on its ability to personalize history and historicize the personal. The contributors ask how the various authors construct and negotiate notions of the self relative to sociopolitical contexts, cultural traditions, genre expectations, and narrative norms. They also investigate the nexus of writing, memory, and experience, including the genre's truth claims vis-à-vis the pliability and unreliability of human memories. Finally, they explore ethical questions that arise from intimate life writing and from the representation of "vulnerable subjects" as well as from the interrelation of material body, embodied self, and narrative. All forms of life writing discussed in this volume are invested in a process of making meaning and in an exchange of experience that allows us to relate our lives to the lives of others. Table of Contents Acknowledgments Introduction Katja Herges and Elisabeth Krimmer Part I. Women's Life Writing, Female Subjectivity and Agency 1: "A Portrait of the Moment": Rahel Levin Varnhagen's Letters at the Boundary of Life Writing Laura Deiulio 2: A Force of Nature: Narrative Strategies of Autobiography in the Work of Poet-Queen Carmen Sylva Beth Ann Muellner 3: Writing the Cultural Memory of East Germany through Women's Interviewliteratur Julie Shoults Part II. Modern Life Writing and Aesthetics 4: A Life of Its Own: Alfred Döblin on Autobiography and the Novel Matthias Müller 5: A Man of the Century in His Poems: Johannes R. Becher and the Creation of the Twentieth-Century Life Narrative Kristin Eichhorn Part III. Trauma and Vergangenheitsbewältigung 6: Writing Two Selves: A Woman's Struggle to Cope with War Erika Quinn 7: "Confrontation with My Complicity": Paratextual Self-Encounters in Diaries of the Second World War Kathryn Sederberg 8: Voices from an "Extinct Species": Narrative Responses to Trauma in German-Jewish Memoirs Jennifer Hansen-Glucklich Part IV. Transnational and Transgenerational Life Writing in Contemporary Germany9: The Case of the Disappearing Son: Gender, Genre, and German Postwar Cultural Memory in Niklas Frank's Meine deutsche Mutter and F. C. Delius's Bildnis der Mutter als junge Frau Katra Byram 10: Lena Gorelik's Autofictional Letter Lieber Mischa : A Guide to Being Jewish in Contemporary Germany Lydia H. Heiss 11: Shapeshifters: Metamorphosing Transgenerational Trauma through Comics Maureen Burdock 12: Homeland, Nation, and Gender in the Life Writing of German and Jewish Émigrés Aylin Bademsoy Bibliography Notes on the Contributors Index In recent decades, life writing has exploded in popularity: memoirs that focus on traumatic experiences now constitute the largest growth sector in book publishing worldwide. But life writing is not only highly marketable; it also does important emotional, cultural, and political work. It is more available to amateurs and those without the cultural capital or the self-confidence to embrace more traditional literary forms, and thus gives voice to marginalized populations. investigates various forms of German-language life writing, including memoirs, interviews, letters, diaries, and graphic novels, shedding light on its democratic potential, on its ability to personalize history and historicize the personal. The contributors ask how the various authors construct and negotiate notions of the self relative to sociopolitical contexts, cultural traditions, genre expectations, and narrative norms. They also investigate the nexus of writing, memory, and experience, including the genre's truth claims vis-à-vis the pliability and unreliability of human memories. Finally, they explore ethical questions that arise from intimate life writing and from the representation of "vulnerable subjects" as well as from the interrelation of material body, embodied self, and narrative. All forms of life writing discussed in this volume are invested in a process of making meaning and in an exchange of experience that allows us to relate our lives to the lives of others. Acknowledgments Introduction Part I. Women's Life Writing, Female Subjectivity and Agency 1: "A Portrait of the Moment": Rahel Levin Varnhagen's Letters at the Boundary of Life Writing 2: A Force of Nature: Narrative Strategies of Autobiography in the Work of Poet-Queen Carmen Sylva 3: Writing the Cultural Memory of East Germany through Women's __Julie Shoults____Matthias Müller____Kristin Eichhorn____Vergangenheitsbewältigung____Erika Quinn____Kathryn Sederberg____Jennifer Hansen-Glucklich____Meine deutsche Mutter__ __Bildnis der Mutter als junge Frau____Katra Byram____Lieber Mischa____Lydia H. Heiss____Maureen Burdock____Aylin Bademsoy__ Investigates the field of German life writing, from Rahel Levin Varnhagen around 1800 to Carmen Sylva a century later, from Döblin, Becher, women's WWII diaries, German-Jewish memoirs, and East German women's interview literatureto the autofiction of Lena Gorelik.In recent decades, life writing has exploded in popularity: memoirs that focus on traumatic experiences now constitute the largest growth sector in book publishing worldwide. But life writing is not only highly marketable; it also does important emotional, cultural, and political work. It is more available to amateurs and those without the cultural capital or the self-confidence to embrace more traditional literary forms, and thus gives voice to marginalized populations. Contested Selves investigates various forms of German-language life writing, including memoirs, interviews, letters, diaries, and graphic novels, shedding light on its democratic potential, on its ability to personalize history and historicize the personal. The contributors ask how the various authors construct and negotiate notions of the self relative to sociopolitical contexts, cultural traditions, genre expectations, and narrative norms. They also investigate the nexus of writing, memory, and experience, including the genre's truth claims vis-à-vis the pliability and unreliability of human memories. Finally, they explore ethical questions that arise from intimate life writing and from the representation of'vulnerable subjects'as well as from the interrelation of material body, embodied self, and narrative. All forms of life writing discussed in this volume are invested in a process of making meaning and in an exchange of experience that allows us to relate our lives to the lives of others. In recent decades, life writing has exploded in popularity: memoirs that focus on traumatic experiences now constitute the largest growth sector in book publishing worldwide. But life writing is not only highly marketable; it also does important emotional, cultural, and political work. It is more available to amateurs and those without the cultural capital or the self-confidence to embrace more traditional literary forms, and thus gives voice to marginalized populations. Contested Selves investigates various forms of German-language life writing, including memoirs, interviews, letters, diaries, and graphic novels, shedding light on its democratic potential, on its ability to personalize history and historicize the personal. The contributors ask how the various authors construct and negotiate notions of the self relative to sociopolitical contexts, cultural traditions, genre expectations, and narrative norms. They also investigate the nexus of writing, memory, and experience, including the genre's truth claims vis-à-vis the pliability and unreliability of human memories. Finally, they explore ethical questions that arise from intimate life writing and from the representation of "vulnerable subjects" as well as from the interrelation of material body, embodied self, and narrative. All forms of life writing discussed in this volume are invested in a process of making meaning and in an exchange of experience that allows us to relate our lives to the lives of others. In recent decades, life writing has exploded in popularity: memoirs that focus on traumatic experiences now constitute the largest growth sector in book publishing worldwide. But life writing is not only highly marketable; it also does important emotional, cultural, and political work. It is more available to amateurs and those without the cultural capital or the self-confidence to embrace more traditional literary forms, and thus gives voice to marginalized populations. Contested Selves investigates various forms of German-language life writing, including memoirs, interviews, letters, diaries, and graphic novels, shedding light on its democratic potential, on its ability to personalize history and historicize the personal. The contributors ask how the various authors construct and negotiate notions of the self relative to sociopolitical contexts, cultural traditions, genre expectations, and narrative norms. They also investigate the nexus of writing, memory, and experience, including the genre's truth claims vis-a-vis the pliability and unreliability of human memories. Finally, they explore ethical questions that arise from intimate life writing and from the representation of "vulnerable subjects" as well as from the interrelation of material body, embodied self, and narrative. All forms of life writing discussed in this volume are invested in a process of making meaning and in an exchange of experience that allows us to relate our lives to the lives of others. Front Cover Contents Acknowledgments Introduction Part I. Women’s Life Writing, Female Subjectivity and Agency 1: “A Portrait of the Moment”: Rahel Levin Varnhagen’s Letters at the Boundary of Life Writing 2: A Force of Nature: Narrative Strategies of Autobiography in the Work of Poet-Queen Carmen Sylva 3: Writing the Cultural Memory of East Germany through Women’s Interviewliteratur Part II. Modern Life Writing and Aesthetics 4: A Life of Its Own: Alfred Döblin on Autobiography and the Novel 5: A Man of the Century in His Poems: Johannes R. Becher and the Creation of the Twentieth-Century L Part III. Trauma and Vergangenheitsbewältigung 6: Writing Two Selves: A Woman’s Struggle to Cope with War 7: “Confrontation with My Complicity”: Paratextual Self-Encounters in Diaries of the Second World Wa 8: Voices from an “Extinct Species”: Narrative Responses to Trauma in German Jewish Memoirs Part IV. Transnational and Transgenerational Life Writing in Contemporary Germany 9: The Case of the Disappearing Son: Gender, Genre, and German Postwar Cultural Memory in Niklas Fra 10: Lena Gorelik’s Autofictional Letter Lieber Mischa: A Guide to Being Jewish in Contemporary Germa 11: Shapeshifters: Metamorphosing Transgenerational Trauma through Comics 12: Homeland, Nation, and Gender in the Life Writing of German and Jewish Émigrés Bibliography Contributors Index Investigates the field of German life writing, from Rahel Levin Varnhagen around 1800 to Carmen Sylva a century later, from Doeblin, Becher, women's WWII diaries, German-Jewish memoirs, and East German women's interview literatureto the autofiction of Lena Gorelik.