Contemporary Popular Music Studies: Proceedings of the International Association for the Study of Popular Music 2017 (Systematische Musikwissenschaft)

This is the second volume in the series that documents the 19th edition of the biennial conference of the International Association for the Study of Popular Music. The volume contains contributions on the variety of musical genres from all over the world. Authors engage with the role of popular music in contemporary music education, as well as definitions and conceptualizations of the notion of 'popular' in different contexts. Other issues discussed in this volume include methodologies, the structure and interpretations of popular music scenes, genres and repertoires, approaches to education in this area, popular music studies outside the Anglophone world, as well as examinations of discursive and technological aspects of numerous popular music phenomena. Content History and theory of popular music Education and popular music Punk Electronic dance music Popular music video Popular music festivals New issues and approaches Target Groups Scholars and Students in Popular Music Studies and Related Disciplines Musicians, Music Industry Representatives, Cultural Entrepreneurs Editors Marija Dumnić Vilotijević is a research associate at the Institute of Musicology of the Serbian Academy of Sciences and Arts. Her research focus is on urban folk music and related genres, as well as sound archiving. Ivana Medić is a research associate at the Institute of Musicology of the Serbian Academy of Sciences and Arts. Her research focus is on alternative rock and contemporary avant-garde art music. Front Matter ....Pages I-VIII Introduction (Marija Dumnić Vilotijević, Ivana Medić)....Pages 9-14 Front Matter ....Pages 15-15 Defining popular music: Towards a “historical melodics” (Sergio Mazzanti)....Pages 17-26 Popular music studies in Kassel and the Germanies – looking back, looking ahead (Jan Hemming)....Pages 27-38 Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century (Marija Dumnić Vilotijević)....Pages 39-50 Popular song and literary scholarship: Interactions between criticism and artistic creation (Cláudia Neiva de Matos)....Pages 51-59 Front Matter ....Pages 61-61 Women who rock: The memoir project (Donna S. Parsons)....Pages 63-70 Group listening, a typical practice of popular music applied to musician training (Elina Goldsack)....Pages 71-79 Curricular orientations of secondary school specializing in music in Argentina: Input for inserting popular music into educational institutions (María Inés López)....Pages 81-90 Studying listening to recorded popular music: A methodological overview and some suggestions for future research (Marta García Quiñones)....Pages 91-100 Pathways of pop: Arts and education policy, studieförbund and genre hierarchies (Daniel Fredriksson)....Pages 101-108 Front Matter ....Pages 109-109 Golfos, punkis, alternativos, indignados: Subterranean traditions of youth in Spain, 1960 ̶ 2015 (Paula Guerra, Carles Feixa)....Pages 111-126 Heart of glass: Gender and domination in the early days of punk in Portugal (Paula Guerra, Ana Oliveira)....Pages 127-136 One struggle, one fight, all day, all night: Punk cartographies in the subway of São Paulo and Lisbon (Débora Gomes dos Santos, Ana Oliveira, Paula Guerra)....Pages 137-146 Front Matter ....Pages 147-147 On analyzing EDM DJ sets: Problems and perspectives for a sociology of sound (José Gálvez)....Pages 149-159 An ethnographic investigation into the culture and people of the UK Free Party (illegal rave) scene in the twenty first century (Marianne L. Keeler)....Pages 161-169 Front Matter ....Pages 171-171 Collaboration in semi-professional music groups (Tobias Marx)....Pages 173-181 Samba batucada: Flexibility and integration (Francisco Assis Santana Mestrinel)....Pages 183-192 “Sing to the Lord a new song”: The interaction of religion and popular music in the case of Posaunenchor in the protestant church in Germany (Ryoto Akiyama)....Pages 193-201 Musical formation of popular singers in Brazil: A case study with singers who sing in pairs música sertaneja – Brazilian country music (Jaqueline Soares Marques, Jusamara Souza)....Pages 203-212 Front Matter ....Pages 213-213 Rock music videos in Serbia since the 1990s: The curious case of Jarboli (Ivana Medić)....Pages 215-224 Queen Katy Patra represents ancient Egypt in pop music (Yvonne Vosmann)....Pages 225-234 Analysing the voice in popular music with categories of “voice” (Fernand Hörner)....Pages 235-247 Front Matter ....Pages 249-249 Researching popular music through transmedia festivals (Bianca Ludewig)....Pages 251-257 The underground, dispossession and positionality in Greek experimental music (Danae Stefanou)....Pages 259-266 Front Matter ....Pages 267-267 Just for the fun of it? Contemporary strategies for making, distributing and gifting music (Chris Anderton)....Pages 269-277 Towards posthegemonic popular music studies (Artur Szarecki)....Pages 279-287 “Party music”, expression of identities, aesthetics and power in the African diaspora (Frank Marcon)....Pages 289-298 Back Matter ....Pages 299-299 This is the second volume in the series that documents the 19th edition of the biennial conference of the International Association for the Study of Popular Music. The volume contains contributions on the variety of musical genres from all over the world. Authors engage with the role of popular music in contemporary music education, as well as definitions and conceptualizations of the notion of 'popular' in different contexts. Other issues discussed in this volume include methodologies, the structure and interpretations of popular music scenes, genres and repertoires, approaches to education in this area, popular music studies outside the Anglophone world, as well as examinations of discursive and technological aspects of numerous popular music phenomena. Content History and theory of popular music Education and popular music Punk Electronic dance music Popular music video Popular music festivals New issues and approaches Target Groups Scholars and Students in Popular Music Studies and Related Disciplines Musicians, Music Industry Representatives, Cultural Entrepreneurs Editors Marija Dumnić Vilotijević is a research associate at the Institute of Musicology of the Serbian Academy of Sciences and Arts. Her research focus is on urban folk music and related genres, as well as sound archiving. Ivana Medić is a research associate at the Institute of Musicology of the Serbian Academy of Sciences and Arts. Her research focus is on alternative rock and contemporary avant-garde art music.