Contagion, Hygiene, and the European Avant-Garde (Routledge Research in Art History)

This interdisciplinary collection of essays brings together scholars in the fields of art history, theatre, visual culture, and literature to explore intersections between the European avant-garde (c. 1880–1945) and themes of health and hygiene, such as illness, contagion, cleanliness, and contamination. Examining the artistic oeuvres of some of the canonical names of modern art – including Edgar Degas, Edvard Munch, Pablo Picasso, George Orwell, Marcel Duchamp, and Antonin Artaud – this book investigates instances where the heightened political, social, and cultural currencies embedded within issues of hygiene and contagion have been mobilised, and subversively exploited, to fuel the critical strategy at play. This edited volume promotes an interdisciplinary and socio-historically contextualised understanding of the criticality of the avant-garde gesture and cultivates scholarship that moves beyond the limits of traditional academic subjects to produce innovative and thought-provoking connections and interrelations across various fields. The book will be of interest to scholars working in art history, literature, theatre, cultural studies, modern history, medical humanities, and visual culture. This interdisciplinary collection of essays brings together scholars in the fields of art history, theatre, visual culture, and literature to explore intersections between the European avant-garde (c. 1880-1945) and themes of health and hygiene, such as illness, contagion, cleanliness, and contamination. Examining the artistic oeuvres of some of the canonical names of modern art – including Edgar Degas, Edvard Munch, Pablo Picasso, George Orwell, Marcel Duchamp, Antonin Artaud – this book investigates instances where the heightened political, social, and cultural currencies embedded within issues of hygiene and contagion have been mobilised, and subversively exploited, to fuel the critical strategy at play. This edited volume promotes an interdisciplinary and socio-historically contextualised understanding of the criticality of the avant-garde gesture and cultivates scholarship that moves beyond the limits of traditional academic subjects to produce innovative and thought-provoking connections and interrelations across various fields. The book will be of interest to scholars working in art history, literature, theatre, cultural studies, modern history, medical humanities, and visual culture. Cover Endorsements Half Title Series Page Title Page Copyright Page Contents Preface List of Contributors INTRODUCTION 1. Contexts: Modernity, Hygiene, and Contagion PART I: Hygiene and Materialities of the Modern Metropolis 2. Degas and the Matter of Contagion: Dirt, Skin, Touch, and the Cosmetic Arts 3. ‘I sometimes think that the price of liberty is not so much eternal vigilance as eternal dirt’: George Orwell, Grubbiness, and Hygiene PART II: The Avant-Garde and Illness: Syphilis, The ‘Spanish Flu’, Tuberculosis 4. Exposing ‘The Venereal Peril’: Fournier’s Syphilography, Munch’s Heredo-Syphilitic, La Syphilis Arabe, and Picasso’s Prostitutes 5. Marcel Duchamp’s Paris Air: The ‘Spanish Flu’, Black Humour, and Dada Contagion 6. Spittle, Dust, and Flies: Documents and Tuberculosis in the Visual Culture of Interwar France PART III: Contagion as Metaphor: Labour and Ecology 7. Wage Labour as Contagion: Surrealist Sewing Machines and Liberatory Eroticism 8. Avant-Garde Hygiene and Contagion: Artaud’s Ecology in the Chemical Century Index