Concepts of Identity: Historical and Contemporary Images and Portraits of Self and Family (Icon Editions)

Concepts of identity are complex and changing, and in this book Katherine Hoffman examines images of individuals and families from ancient Egypt to the present—more than two thirds of the book covers the twentieth century. Through a comprehensive study of paintings, sculpture, photography, film, television, and other media, Hoffman provides eye-opening insights on the identity of family and self through time and explores what these images say about the attitudes and values of a particular culture.Concepts of identity and self as individuals and families are complex and changing, but images from the artist, the photographer, the filmmaker, and TV producer can help us discover where we came from, who we are and why, and where we are in the maze of postmodern life. Katherine Hoffman explores portraits and images from ancient Egypt to the present—more than two-thirds of the book covers the twentieth century, including images from art, photography, film, TV, and other media. The 75 illustrations are integrated with the text.

concepts Of Identity Are Complex And Changing, And In This Book Katherine Hoffman Examines Images Of Individuals And Families From Ancient Egypt To The Present—more Than Two Thirds Of The Book Covers

kirkus Reviews

this Earnest Art-history Slide Lecture Offers No Compelling Thesis To Unite The Many Images Of Self And Family That Are Examined.

asserting That We Look At Portraits Of Others In Order To Learn About Ourselves, Hoffman (art History/st. Anselm College) Declares That The Point Of This Brisk Walking Tour Of Images Throughout History Is To Stir The Reader To Some Greater Awareness Of One's Family And One's Self. She Points Out Hellenistic Portraiture's Emphasis On The Soul, The Roman Linking Of The Family To Power And The Economy, The Resurrection Of Personality (along With Perspective) During The Renaissance, When Man Replaced God As The Focus Of Civilization. During The Enlightenment, She Asserts, Public Life Became Preeminent And Portraits Or Scenes Of The Family Served To Maintain That Connection. She Traces The Impact Of The Birth Of Photography On Depictions Of Family Life And The Rise Of The Ubiquitous Family Photo Album. Positive Images Of The Family Produced In Both Hitler's Germany And In Postww Ii America Provide The Only Thread Of Consistency Here, Underlining The Contradiction Inherent In The Propagandistic Image Of The United Family And Its Unvarnished Reality: In Ancient Rome, For Example, There Were Numerous Childless Marriages And Divorce Was Prevalent, Just As The Happy American Family Of The 1950s Concealed Unrest And Unhappiness. While Hoffman Offers Careful Readings Of Individual Works, Setting Them Within The Context Of Their Times, Her Narrative Never Seems To Draw Any Overarching Revelations From These Paintings And Photographs: One Closes The Book Having Learned Little About One's Own Identity And About Where The Family May Be Heading.

A Soothing Read, This Book Would Sound Better In A Headset At The Museum, Where We Would Be Able To Better View The Selected Images.

Concepts of identity are complex and changing, and in this book Katherine Hoffman explores and explains portraits and images of individuals and families from ancient Egypt to the present - more than two-thirds of the book covers the twentieth century. She include images from painting, sculpture, photography, film, TV, and other media; there are 75 illustrations integrated with the text. The book provides perspectives on the identity of family and self through an analysis of historical and contemporary portraits and images - a mirror of society and culture, their attitudes and values. The introduction discusses families and portraits; Part I deals with the ancient and medieval worlds and Renaissance through the nineteenth century; and Part II, the main part of the book, covers the period from 1900 to 1945, as well as the late forties and fifties, the sixties, seventies, eighties, and early nineties. Also included are an epilogue on identities, images, and stories; notes and bibliography sections; and index. Concepts of identity are complex and changing. Through a comprehensive study of paintings, sculpture, photography, film, television and other media, this book examines images of individuals and families from Ancient Egypt to the present. More than two-thirds of the book covers the 20th century. As early as 3000 B.C., Egyptian funerary monuments were erected to preserve the remains of the dead, and to cele a journey to the afterlife that included evidence of family life.